Iconoclasts: Selections from Glenstone’s Collection
The Gallery
Hilma af Klint
Tree of Knowledge (detail), 1913–1915
watercolor, gouache, graphite, and ink on paper
Photo: Courtesy David Zwirner
Tree of Knowledge (detail), 1913–1915
watercolor, gouache, graphite, and ink on paper
Photo: Courtesy David Zwirner
A selection of works drawn from the museum’s collection is on long-term view in the Gallery. The exhibition features more than 50 artists who have made some of the most radical contributions to art in the 20th century. Foundational collection artists—such as Willem de Kooning, Alexander Calder, Ruth Asawa, and Martin Puryear, among many others—are on view alongside new acquisitions, including Hilma af Klint’s Tree of Knowledge, 1913–1915.
Artists
- Diane Arbus
- Ruth Asawa
- John Baldessari
- Jean-Michel Basquiat
- Lee Bontecou
- Alberto Burri
- Alexander Calder
- Vija Celmins
- John Chamberlain
- Lygia Clark
- Willem de Kooning
- Marcel Duchamp
- Katharina Fritsch
- Alberto Giacometti
- Robert Gober
- Felix Gonzalez-Torres
- Arshile Gorky
- Philip Guston
- David Hammons
- Eva Hesse
- Miyoko Ito
- Jasper Johns
- Donald Judd
- On Kawara
- Yves Klein
- Franz Kline
- Hilma af Klint
- Lee Krasner
- Yayoi Kusama
- Brice Marden
- Henri Matisse
- Marisa Merz
- Bruce Nauman
- Hélio Oiticica
- Claes Oldenburg
- Nam June Paik
- Jackson Pollock
- Martin Puryear
- Robert Rauschenberg
- Man Ray
- Mira Schendel
- Richard Serra
- Kazuo Shiraga
- Lorna Simpson
- Ming Smith
- Atsuko Tanaka
- Mildred Thompson
- Bill Traylor
- Anne Truitt
- Cy Twombly
- Jack Whitten
Exhibition Preview
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Katharina Fritsch
Mönch (Monk), 1997-1999
On View Fritsch 1997Mönch (Monk), 1997-1999
polyester and paint
75 ½ x 24 ⅞ x 18 ⅛ inches (192 x 63 x 46 cm)
© 2023 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
Photo: Tim Nighswander/Imaging4Art.com
On View Tim Nighswander/Imaging4Art.com Katharina Fritsch https://www.glenstone.org/wp-content/uploads/2018/07/FRITk_GF_Monch-e1531924630689-390x800.jpg A monochrome black sculptrue of a man stands in a room, he is wearing a long robe with a rope tied around the waist. -
Felix Gonzalez-Torres
“Untitled” (Lover Boys), 1991
On View Gonzalez-Torres 1991“Untitled” (Lover Boys), 1991
candies individually wrapped in clear wrapping, endless supply
dimensions variable
© Felix Gonzalez-Torres, Courtesy of The Felix Gonzalez-Torres Foundation
Photo: Dirk Gysel
On View Dirk Gysel Felix Gonzalez-Torres https://www.glenstone.org/wp-content/uploads/2018/07/GONZf_GF_UntitledLoverBoys.jpg -
Robert Gober
Untitled Closet, 1989
On View Gober 1989Untitled Closet, 1989
wood, plaster, enamel paint
92 ½ x 52 x 33 ½ inches (235 x 132 x 85 cm)
© Robert Gober, courtesy Matthew Marks Gallery
On View Robert Gober https://www.glenstone.org/wp-content/uploads/2019/04/GOBEr_GF_UntitledCloset-1-478x800.jpg -
Jack Whitten
Black Monolith I, A Tribute to James Baldwin, 1988
On View Whitten 1988Black Monolith I, A Tribute to James Baldwin, 1988
acrylic on canvas
96 x 82 inches (244 x 208 cm)
© Courtesy the Jack Whitten Estate and Hauser & Wirth
Photo: Genevieve Hanson
Courtesy: Hauser & Wirth
On View Genevieve Hanson
Courtesy: Hauser & Wirth Jack Whitten https://www.glenstone.org/wp-content/uploads/2018/10/WHITj_GF_BlackMonolith-631x800.jpg -
Martin Puryear
Empire’s Lurch, 1987
On View Puryear 1987Empire’s Lurch, 1987
painted ponderosa pine
62 x 44 x 24 inches (157 x 112 x 61 cm)
© Martin Puryear, courtesy Matthew Marks Gallery
On View Martin Puryear https://www.glenstone.org/wp-content/uploads/2023/11/PURYm_Empires-Lurch-1200x800.jpg A deep green, almost black wooden rounded sculpture with a finger-like protrusion sits on a wooden floor. -
Felix Gonzalez-Torres
“Untitled” (Perfect Lovers), 1987
On View Gonzalez-Torres 1987“Untitled” (Perfect Lovers), 1987
two clocks
13 ½ x 27 ½ x 1 ¾ inches (34 x 70 x 4 cm) overall
clocks, each 13 ½ x 13 ½ x 1 ¾ inches (34 x 34 x 4 cm)
© Felix Gonzalez-Torres, Courtesy of The Felix Gonzalez-Torres Foundation
Photo: Ron Amstutz
On View Ron Amstutz Felix Gonzalez-Torres https://www.glenstone.org/wp-content/uploads/2018/07/GONZf_GF_PerfectLovers-1065x800.jpg -
Jean-Michel Basquiat
Frogmen, 1983
On View Basquiat 1983Frogmen, 1983
acrylic, oil stick, paper, and color copy paper on canvas with metal hinges
48 x 185 ¼ inches (122 x 471 cm)
© The Estate of Jean-Michel Basquiat / ADAGP, Paris / ARS, New York 2018
Photo: Ron Amstutz
On View Ron Amstutz Jean-Michel Basquiat https://www.glenstone.org/wp-content/uploads/2018/07/BASQj_GF_Frogmen.jpg A six-paneled canvas in various colors shows drawings including an octopus, various words crossed out, a cartoon cat, and xereoxed pages. -
Miyoko Ito
Untitled, 1975
On View Ito 1975Untitled, 1975
oil on canvas
60 ¼ x 68 ¼ inches (153 x 173 cm)
© Estate of Miyoko Ito, Courtesy Karen Lennox Gallery
On View Miyoko Ito https://www.glenstone.org/wp-content/uploads/2023/12/ITOm_GF_Untitled_1975-1.jpg An orange-gradient painting hangs on a white wall. -
Philip Guston
San Clemente, 1975
On View Guston 1975San Clemente, 1975
oil on canvas
68 x 73 ¼ inches (173 x 186 cm)
© The Estate of Philip Guston, courtesy Hauser & Wirth
Photo: Christopher Burke
On View Christopher Burke Philip Guston https://www.glenstone.org/wp-content/uploads/2018/07/GUSTp_GF_SanClemente.jpg -
Mira Schendel
Objeto gráfico (Graphic object), 1972
On View Schendel 1972Objeto gráfico (Graphic object), 1972
transfer type, Japanese paper, and translucent acrylic plates
37 ⅜ x 37 ⅜ x ⅜ inches (95 x 95 x 1 cm)
© 2018 Estate of Mira Schendel, Courtesy of Hauser & Wirth
Photo: Ron Amstutz
On View Ron Amstutz Mira Schendel https://www.glenstone.org/wp-content/uploads/2018/08/SCHEm_GF_ObjetoGrafico1972-600x800.jpg -
David Hammons
Three Spades, 1971
On View Hammons 1971Three Spades, 1971
body print
41 ½ x 31 inches (105 x 79 cm)
© 2023 David Hammons / Artists Rights Society (ARS), New York
Photo: Alex Jamison
On View Alex Jamison David Hammons https://www.glenstone.org/wp-content/uploads/2018/07/HAMMd_GF_ThreeSpades-615x800.jpg -
Brice Marden
For Pearl, 1970
On View Marden 1970For Pearl, 1970
oil and beeswax on canvas
three panels, overall 96 x 98 ¼ inches (244 X 250 cm)
© 2023 Estate of Brice Marden / Artists Rights Society (ARS), New York
Photo: Ron Amstutz
On View Ron Amstutz Brice Marden https://www.glenstone.org/wp-content/uploads/2018/07/MARDb_GF_ForPearl-1064x800.jpg -
Mira Schendel
Objeto gráfico (Graphic object), 1967-1968
On View Schendel 1967Objeto gráfico (Graphic object), 1967-1968
graphite, rice paper, and transparent acrylic plates
38 ⅝ x 38 ⅜ x ¼ inches (98 x 97 x 1 cm)
© 2018 Estate of Mira Schendel, Courtesy of Hauser & Wirth
Photo: Ron Amstutz
On View Ron Amstutz Mira Schendel https://www.glenstone.org/wp-content/uploads/2018/08/SCHEm_GF_ObjetoGrafico1960-600x800.jpg -
Mira Schendel
Objeto gráfico (Graphic object), 1967-1968
On View Schendel 1967Objeto gráfico (Graphic object), 1967-1968
oil stick, transfer type, rice paper, and transparent acrylic plates
38 ⅝ x 38 ⅜ x ¼ inches (98 x 97 x 1 cm)
© 2018 Estate of Mira Schendel, Courtesy of Hauser & Wirth
Photo: Ron Amstutz
On View Ron Amstutz Mira Schendel https://www.glenstone.org/wp-content/uploads/2018/08/SCHEm_GF_ObjetoGrafico-600x800.jpg -
John Baldessari
Pure Beauty, 1966-1968
On View Baldessari 1966Pure Beauty, 1966-1968
acrylic on canvas
45 ⅜ x 45 ⅜ x 1 ⅜ inches (115 x 115 x 3 cm)
© John Baldessari
Photo: Tim Nighswander/Imaging4Art.com
On View Tim Nighswander/Imaging4Art.com John Baldessari https://www.glenstone.org/wp-content/uploads/2018/04/BALDj_257_001_crop-799x800.jpg A square canvas is painted carefully with the words "PURE BEAUTY" in black. -
Eva Hesse
Several, 1965
On View Hesse 1965Several, 1965
acrylic, Papier-mâché, latex, and rubber
four units, dimensions variable
approximately 88 x 11 x 7 inches (224 x 28 x 18 cm)
© The Estate of Eva Hesse. Courtesy Hauser & Wirth
Photo: Tim Nighswander/Imaging4Art.com
On View Tim Nighswander/Imaging4Art.com Eva Hesse https://www.glenstone.org/wp-content/uploads/2018/04/HESSe_245_001_crop-441x800.jpg -
Marcel Duchamp
Roue de Bicyclette (Bicycle Wheel), 1964
On View Duchamp 1964Roue de Bicyclette (Bicycle Wheel), 1964
bicycle wheel, fork, kitchen stool, and white paint
50 ⅜ x 25 ⅝ x 12 ⅝ inches (128 x 65 x 32 cm)
© Association Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS), New York 2023
Photo: Ron Amstutz
On View Ron Amstutz Marcel Duchamp https://www.glenstone.org/wp-content/uploads/2018/08/DUCHm_GF_RoueDeBicyclette-600x800.jpg One dark bicycle wheel with gray spokes attached at the bicycle fork crown to an upright, tan, wooden stool. -
Marcel Duchamp
Fountain, 1964
On View Duchamp 1964Fountain, 1964
glazed cast ceramic urinal with black paint
14 ⅛ x 18 ⅞ x 24 inches (36 x 48 x 61 cm)
© Association Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS), New York 2023
Photo: Ron Amstutz
On View Ron Amstutz Marcel Duchamp https://www.glenstone.org/wp-content/uploads/2018/08/DUCHm_GF_Fountain-600x800.jpg Supine white urinal signed "R Mutt 1917." -
Alberto Burri
Grande Bianco Plastica (Large White Plastic), 1964
On View Burri 1964Grande Bianco Plastica (Large White Plastic), 1964
burned plastic on aluminum frame
74 ¼ x 113 ¼ inches (189 x 288 cm)
© 2023 Artists Rights Society (ARS), New York / SIAE, Rome
Photo: Tim Nighswander/Imaging4Art.com
On View Tim Nighswander/Imaging4Art.com Alberto Burri https://www.glenstone.org/wp-content/uploads/2018/07/BURRa_GF_GrandeBianco-1217x800.jpg Clear plastic is stretched over a black frame with a white background and has about 12 scorched circular holes of various sizes. -
Robert Rauschenberg
Gold Standard, 1964
On View Rauschenberg 1964Gold Standard, 1964
oil, paper, printed reproductions, clock, cardboard box, metal, fabric, wood, string, shoe and Coca-Cola bottles on gold folding Japanese screen with electric light, rope, and ceramic dog on bicycle seat
85 x 142 x 51 ¼ inches (216 x 361 x 130 cm)
© Robert Rauschenberg Foundation/Licensed by VAGA, New York, NY
Photo: Tim Nighswander/Imaging4Art.com
On View Tim Nighswander/Imaging4Art.com Robert Rauschenberg https://www.glenstone.org/wp-content/uploads/2018/04/RAUSc_137_005_crop-1276x800.jpg -
Nam June Paik
Robot K-456, 1963-1964
On View Paik 1963Robot K-456, 1963-1964
aluminum profiles, wire, wood, electrical parts, foam, and control units
72 x 40 ½ x 28 ⅜ inches (183 x 103 x 72 cm)
© Nam June Paik Estate
On View Nam June Paik https://www.glenstone.org/wp-content/uploads/2024/01/PAIKn_Robot_GF-640x800.jpg A sculpture of a robot, with wired and various technological elements, stands on an elevated white platform. -
Yayoi Kusama
Accumulation on Cabinet No. 1, 1963
On View Kusama 1963Accumulation on Cabinet No. 1, 1963
sewn and stuffed fabric, wooden cabinet, cups, glasses, wire mesh, decanter, tea kettle, and paint
60 ½ x 42 ½ x 17 ¾ inches (154 x 108 x 45 cm)
© Yayoi Kusama
Photo: Ron Amstutz
On View Ron Amstutz Yayoi Kusama https://www.glenstone.org/wp-content/uploads/2018/08/KUSAy_GF_Accumulation-600x800.jpg -
Atsuko Tanaka
WORK, 1963
On View Tanaka 1963WORK, 1963
synthetic polymer paint on canvas
57 ¼ x 44 ½ inches (145 x 113 cm)
© Atsuko Tanaka
Photo: Ron Amstutz
On View Ron Amstutz Atsuko Tanaka https://www.glenstone.org/wp-content/uploads/2018/08/TANAa_GF_WORK-600x800.jpg -
Anne Truitt
Southern Elegy, 1962
On View Truitt 1962Southern Elegy, 1962
acrylic on wood
47 x 20 ⅞ x 6 ⅞ inches (119 x 53 x 17 cm)
© annetruitt.org, courtesy Matthew Marks Gallery
Photo: Ron Amstutz
On View Ron Amstutz Anne Truitt https://www.glenstone.org/wp-content/uploads/2018/09/TRUIa_SouthernElegy_crop-970x800.jpg -
Lee Bontecou
Untitled, 1962
On View Bontecou 1962Untitled, 1962
welded steel, canvas, wire, and soot
63 ½ x 111 x 20 inches (161 x 282 x 51 cm)
© Lee Bontecou
Photo: Ron Amstutz
On View Ron Amstutz Lee Bontecou https://www.glenstone.org/wp-content/uploads/2018/08/BONTl_GF_Untitled.jpg An abstracted form made from canvas, welded metal, and wire sits in relief off a white wall - three deeply black voids dominate the composition. -
Lee Krasner
The Eye is the First Circle, 1960
On View Krasner 1960The Eye is the First Circle, 1960
oil on canvas
92 ¾ x 191 ⅜ x 1 ⅝ inches (236 x 486 x 4 cm)
© 2023 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
On View Lee Krasner https://www.glenstone.org/wp-content/uploads/2019/10/KRASl_GF_EyeIsTheFirstCircle.jpg -
John Chamberlain
Hillbilly Galoot, 1960
On View Chamberlain 1960Hillbilly Galoot, 1960
painted and chromium-plated steel
60 x 60 inches (152 x 152 cm)
© 2023 Fairweather & Fairweather LTD / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
On View Tim Nighswander/Imaging4Art.com John Chamberlain https://www.glenstone.org/wp-content/uploads/2018/07/CHAMj_GF_HillbillyGaloot-915x800.jpg Crumbled like a piece of paper, car parts painted red balance on a slate floor. -
![Relevo espacial (amarelo) </i> (Spatial relief [yellow])](https://www.glenstone.org/wp-content/uploads/2018/08/OITIh_GF_RelevoEspacial-731x548.jpg)
Hélio Oiticica
Relevo espacial (amarelo) (Spatial relief [yellow]), 1960
On View Oiticica 1960Relevo espacial (amarelo) (Spatial relief [yellow]), 1960
oil on wood
42 ⅞ x 47 ½ x 2 ⅜ inches (109 x 121 x 6 cm)
© Projeto Hélio Oiticica, Rio de Janeiro, Courtesy Projeto Hélio Oiticica, Rio de Janeiro and Galerie Lelong & Co., New York
Photo: Ron Amstutz
On View Ron Amstutz Hélio Oiticica https://www.glenstone.org/wp-content/uploads/2018/08/OITIh_GF_RelevoEspacial.jpg -
Yves Klein
Untitled Blue Sponge Relief (RE 21), 1960
On View Klein 1960Untitled Blue Sponge Relief (RE 21), 1960
pigment, natural sponges, and pebbles on board
78 ¼ x 64 ¾ inches (199 x 165 cm)
© Yves Klein c/o Artists Rights Society (ARS), New York / ADAGP, Paris 2018
Photo: Ron Amstutz
On View Ron Amstutz Yves Klein https://www.glenstone.org/wp-content/uploads/2018/09/RE_021_Web_2018-676x800.jpg -
Kazuo Shiraga
Untitled, 1958
On View Shiraga 1958Untitled, 1958
oil on canvas
72 x 107 x 3 ½ inches (183 x 272 x 9 cm)
© Kazuo Shiraga
Photo: Ron Amstutz
On View Ron Amstutz Kazuo Shiraga https://www.glenstone.org/wp-content/uploads/2018/08/SHIRk_GF_Untitled.jpg -
Jasper Johns
Flag on an Orange Field II, 1958
On View Johns 1958Flag on an Orange Field II, 1958
encaustic on canvas
54 ¼ x 36 ¼ inches (138 x 92 cm)
© 2023 Jasper Johns / Licensed by VAGA at Artists Rights Society (ARS), NY
Photo: Tim Nighswander/Imaging4Art.com
On View Tim Nighswander/Imaging4Art.com Jasper Johns https://www.glenstone.org/wp-content/uploads/2018/04/JOHNj_199_001_crop-533x800.jpg -
Franz Kline
Untitled, 1957
On View Kline 1957Untitled, 1957
oil on canvas
78 ⅞ x 103 ⅛ inches (200 x 262 cm)
© 2023 The Franz Kline Estate / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
On View Tim Nighswander/Imaging4Art.com Franz Kline https://www.glenstone.org/wp-content/uploads/2018/04/KLINf_GF_Untitled.jpg -
Ruth Asawa
Untitled (S.693, Hanging Six-Lobed, Two-Part, Complex Form within a Form with One Suspended Sphere in the Top Lobe), c. 1956
On View Asawa 1956Untitled (S.693, Hanging Six-Lobed, Two-Part, Complex Form within a Form with One Suspended Sphere in the Top Lobe), c. 1956
brass and iron wire
72 ¼ x 15 x 15 inches (184 x 38 x 38 cm)
© 2024 Ruth Asawa Lanier, Inc. / Artists Rights Society (ARS), New York. Courtesy David Zwirner
Photo: Dan Bradica
On View Dan Bradica Ruth Asawa https://www.glenstone.org/wp-content/uploads/2018/07/ASAWr_GF_003.jpg Rounded organic interlocking forms arranged vertically made from looping gold colored wire hang from the ceiling. -
Willem de Kooning
January 1st, 1956
On View de Kooning 1956January 1st, 1956
oil on canvas
78 ¼ x 69 inches (199 x 175 cm)
© 2023 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
On View Tim Nighswander/Imaging4Art.com Willem de Kooning https://www.glenstone.org/wp-content/uploads/2018/04/DEKOw_24_002_crop-708x800.jpg In this painting, loose and expressive brushwork of various colors overlaps and muddies the tones. Lines of blue, yellow, teal, black, and red mix with fields of beige and pink. -
Lygia Clark
Grega no. 4 (Greek no. 4), 1955
On View Clark 1955Grega no. 4 (Greek no. 4), 1955
automotive paint on wood
15 13/16 x 71 ¼ x 1 ⅜ inches (40 x 181 x 3 cm)
© Lygia Clark
Photo: Ron Amstutz
On View Ron Amstutz Lygia Clark https://www.glenstone.org/wp-content/uploads/2020/01/CLARl_GF_GregaNo4-1065x800.jpg An abstract composition of blue, red, green, and beige rectangles and squares form a series of "U" shapes. -
Jackson Pollock
Number 1, 1952
On View Pollock 1952Number 1, 1952
oil and enamel on canvas
23 ⅞ x 107 inches (61 x 272 cm)
© 2023 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
On View Jackson Pollock https://www.glenstone.org/wp-content/uploads/2018/04/POLLj_124_002_crop-1276x285.jpg -
Ruth Asawa
Untitled (S.531, Hanging Six-Lobed, Two Continuous Interlocking Form), c. 1950
On View Asawa 1950Untitled (S.531, Hanging Six-Lobed, Two Continuous Interlocking Form), c. 1950
iron wire
84 x 20 x 20 inches (208 x 51 x 51 cm)
© Artwork © 2024 Ruth Asawa Lanier, Inc. / Artists Rights Society (ARS), New York. Courtesy David Zwirner
Photo: Dan Bradica
On View Dan Bradica Ruth Asawa https://www.glenstone.org/wp-content/uploads/2018/07/ASAWr_GF_002.jpg Organic and curvy interlocking vertical forms made from woven rusty colored wire hang from the ceiling. -
Alberto Giacometti
L’Homme au doigt (Man Pointing), 1947
On View Giacometti 1947L’Homme au doigt (Man Pointing), 1947
bronze
70 ½ x 34 ½ x 20 inches (179 x 88 x 51 cm)
© Succession Alberto Giacometti / Artists Rights Society (ARS), NY 2023
Photo: Ron Amstutz
On View Ron Amstutz Alberto Giacometti https://www.glenstone.org/wp-content/uploads/2018/04/GIACa_GF_ManPointing-600x800.jpg -
Alexander Calder
Baby Flat Top, 1946
On View Calder 1946Baby Flat Top, 1946
painted sheet metal and wire
47 ½ x 76 x 48 inches (121 x 193 x 122 cm)
© 2023 Calder Foundation, New York / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
On View Tim Nighswander/Imaging4Art.com Alexander Calder https://www.glenstone.org/wp-content/uploads/2018/07/CALDa_GF_BabyFlat-1276x735.jpg Hanging from a tripedal floor stand, a large horizontal oval-shape have several delicate wire off-shoots, perfectly balanced. -
Alexander Calder
Untitled, c. 1941
On View Calder 1941Untitled, c. 1941
glass, ceramic, spoon, buttons, wire, and string
35 x 42 inches (89 x 107 cm)
© 2023 Calder Foundation, New York / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
On View Tim Nighswander/Imaging4Art.com Alexander Calder https://www.glenstone.org/wp-content/uploads/2018/07/CALDa_GF_Untitled_1941-e1532352840347-599x800.jpg Hanging from above, this mobile boasts 10 horizontal wires balancing 23 vertical wires ending in 12 shards of glass (in multiple colors) and a black spoon. -
Bill Traylor
Brown House with Multiple Figures and Birds, 1939-1942
On View Traylor 1939Brown House with Multiple Figures and Birds, 1939-1942
poster paint and pencil on cardboard
20 x 17 ⅝ inches (51 x 45 cm)
All Bill Traylor artwork is used with permission from Bill Traylor Family, Inc.
On View Bill Traylor https://www.glenstone.org/wp-content/uploads/2024/01/TRAYb_brown-house-with-multiple-figures_GF-706x800.jpg A drawing in paint on paper with a brown house and blue figures and birds. -
Bill Traylor
Blue Rabbit Running, 1939-1942
On View Traylor 1939Blue Rabbit Running, 1939-1942
poster paint and pencil on cardboard
9 x 11 ⅞ inches (23 x 30 cm)
All Bill Traylor artwork is used with permission from Bill Traylor Family, Inc.
On View Bill Traylor https://www.glenstone.org/wp-content/uploads/2024/01/TRAYb_blue-Rabbit-Running_GF-914x800.jpg A drawing in blue ink on paper of a rabbit running. -
Bill Traylor
Woman with Umbrella and Blue Skirt, 1939-1942
On View Traylor 1939Woman with Umbrella and Blue Skirt, 1939-1942
poster paint and pencil on cardboard
11 ¼ x 6 ⅜ inches (29 x 16 cm)
Bill Traylor artwork is used by permission of Bill Traylor Family, Inc., and The Artistry of Bill Traylor, LLC
On View Bill Traylor https://www.glenstone.org/wp-content/uploads/2024/01/TRAYb_woman-with-umbrella_gf-627x800.jpg A drawing in ink on paper of a Black woman in a blue skirt. -
Bill Traylor
Man with Spotted Shirt, Hat, and Umbrella, 1939-1942
On View Traylor 1939Man with Spotted Shirt, Hat, and Umbrella, 1939-1942
poster paint and pencil on cardboard
12 ½ x 6 ⅞ inches (32 x 17 cm)
All Bill Traylor artwork is used with permission from Bill Traylor Family, Inc.
On View Bill Traylor https://www.glenstone.org/wp-content/uploads/2024/01/TRAYb_man-with-spotted-shirt_GF-560x800.jpg A work on paper of a Black man in a top had and vivid blue pants. -
Alexander Calder
La Demoiselle, 1939
On View Calder 1939La Demoiselle, 1939
painted sheet metal and wire
58 ½ x 21 x 29 ½ inches (149 x 53 x 75 cm)
© 2023 Calder Foundation, New York / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
On View Tim Nighswander/Imaging4Art.com Alexander Calder https://www.glenstone.org/wp-content/uploads/2018/07/CALDa_GF_LaDemoiselle-e1532352881222-676x800.jpg Hanging from a tripedal floor stand, a series of graduated abstract forms (painted black, blue, yellow, red, and white) delicately balance on thin wires. -
Hilma af Klint
Tree of Knowledge, 1913-1915
On View Klint 1913Tree of Knowledge, 1913-1915
watercolor, gouache, graphite, and ink on paper
18 x 11 ⅝ inches (46 x 30 cm), each
© Photo: Courtesy David Zwirner
On View Hilma af Klint https://www.glenstone.org/wp-content/uploads/2023/02/KLINh_DZ_Install.jpg -
Henri Matisse
Jeannette V, 1913
On View Matisse 1913Jeannette V, 1913
bronze
22 ⅞ x 8 ¾ x 12 inches (58 x 22 x 30 cm)
© 2023 Succession H. Matisse / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
On View Tim Nighswander/Imaging4Art.com Henri Matisse https://www.glenstone.org/wp-content/uploads/2018/07/MATIh_GF_JeannetteV-494x800.jpg -
Henri Matisse
Jeannette III, 1911
On View Matisse 1911Jeannette III, 1911
bronze
23 x 9 x 11 ½ inches (58 x 23 x 30 cm)
© 2023 Succession H. Matisse / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
On View Tim Nighswander/Imaging4Art.com Henri Matisse https://www.glenstone.org/wp-content/uploads/2018/07/MATIh_GF_JeannetteIII-e1532362828119-581x800.jpg -
Henri Matisse
Jeannette IV, 1911
On View Matisse 1911Jeannette IV, 1911
bronze
24 x 9 ½ x 11 ¼ inches (61 x 24 x 29 cm)
© 2023 Succession H. Matisse / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
On View Tim Nighswander/Imaging4Art.com Henri Matisse https://www.glenstone.org/wp-content/uploads/2018/07/MATIh_GF_JeannetteIV.jpg -
Henri Matisse
Jeannette I, 1910
On View Matisse 1910Jeannette I, 1910
bronze
13 ¼ x 9 x 10 inches (34 x 23 x 25 cm)
© 2023 Succession H. Matisse / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
On View Tim Nighswander/Imaging4Art.com Henri Matisse https://www.glenstone.org/wp-content/uploads/2018/07/MATIh_GF_JeannetteI.jpg -
Henri Matisse
Jeannette II, 1910
On View Matisse 1910Jeannette II, 1910
bronze
10 x 9 x 10 inches (25 x 23 x 25 cm)
© 2023 Succession H. Matisse / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
On View Tim Nighswander/Imaging4Art.com Henri Matisse https://www.glenstone.org/wp-content/uploads/2018/07/MATIh_GF_JeannetteII.jpg -
Vija Celmins
Porsche, 1966–67
On View CelminsPorsche, 1966–67
oil on canvas
28 x 42 ¼ inches (71 x 107 cm)
© Vija Celmins, courtesy Matthew Marks Gallery
On View Vija Celmins https://www.glenstone.org/wp-content/uploads/2023/12/CELMv_GF_Porsche-1167x800.jpg A desaturated painting showing a view of the highway from the passenger's seat of a car. -
Marisa Merz
Senza titolo, n.d.
On View Merz n.d.Senza titolo, n.d.
pastel on chipboard in iron frame
43 ⅝ x 51 ½ x ¾ inches (111 x 131 x 2 cm) framed
© Marisa Merz
Photo: Ron Amstutz
On View Ron Amstutz Marisa Merz https://www.glenstone.org/wp-content/uploads/2018/08/MERZmaris_GF_SenzaTitolo.jpg -
Ruth Asawa
Untitled (S.335, Hanging Four-and-a-Half Open Hyperbolic Shapes That Penetrate Each Other), c. 1954
On View AsawaUntitled (S.335, Hanging Four-and-a-Half Open Hyperbolic Shapes That Penetrate Each Other), c. 1954
iron wire and paint
95 ½ in x 20 in x 20 in (243 x 51 x 51 cm)
© 2024 Ruth Asawa Lanier, Inc. / Artists Rights Society (ARS), New York. Courtesy David Zwirner
Photo: Dan Bradica
On View Dan Bradica Ruth Asawa https://www.glenstone.org/wp-content/uploads/2018/07/ASAWr_GF_001.jpg Fluted wire forms intersect four different times along a hanging vertical sculpture.