Image Captions

Shirin Neshat
Turbulent, 1998
Film Still
© Shirin Neshat
Photo courtesy: the artist and Gladstone Gallery, New York and Brussels

Rirkrit Tiravanija
Detail from untitled 2011 (558 broome st, the future is chrome), 2011
plywood, tempered glass, aluminum window frames, glazed ceramic with palladium luster
131 x 154 x 338 inches

Exhibition view, Rirkrit Tiravanija, FEAR EATS THE SOUL
Gavin Brown’s enterprise, 620 Greenwich Street, New York, March 5–April 16th, 2011
©Rirkrit Tiravanija, 2019
Photo courtesy: the artist and Gavin Brown’s enterprise, New York/Rome

Charles Ray
Horse and rider, 2014
solid stainless steel
109 ½ x 40 x 105 ⅞ inches
© Charles Ray, courtesy Matthew Marks Gallery
Photo courtesy: Glenstone Museum

Ellsworth Kelly
Spectrum IX, 2014
acrylic on canvas, twelve joined panels
107¾ x 96 inches (274 x 244 cm)
© Ellsworth Kelly Foundation
Photo: Ron Amstutz
Courtesy: Matthew Marks Gallery

Cy Twombly
Cycnus, Rome, 1978
wood, palm leaf, and white paint
15 ⅞ x 9 ½ x 2 ⅛ inches (40 x 24 x 5 cm)
©Cy Twombly Foundation
Photo: Ron Amstutz
Courtesy: Glenstone Museum

The Passage in the Pavilions
Roni Horn
Water Double, v. 3 (detail), 2013–2016
solid cast glass with as-cast surfaces two units, each 50 ⅛ inches x 53–56-inch tapered diameter (127 cm x 135–142-cm tapered diameter)
© 2018 Roni Horn
Ron Amstutz
Courtesy: Glenstone Museum

Yayoi Kusama
Accumulation on Cabinet No. 1, 1963
sewn and stuffed fabric, wooden cabinet, cups, glasses, wire mesh, decanter, tea kettle, and paint
60 ½ x 42 ½ x 17 ¾ inches (154 x 108 x 45 cm)
© Yayoi Kusama
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Marcel Duchamp
Roue de Bicyclette (Bicycle Wheel), 1913/1964
bicycle wheel, fork, kitchen stool, and white paint
50 ⅜ x 25 ⅝ x 12 ⅝ inches (128 x 65 x 32 cm)
© Association Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS), New York
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Room 2 installation
Ruth Asawa (left to right)
Untitled (S.693, Hanging Six-Lobed, Two-Part, Complex Form within a Form with One Suspended Sphere in the Top Lobe), ca. 1956
Untitled (S.335, Hanging Four-and-a-Half Open Hyperbolic Shapes That Penetrate Each Other), ca. 1954
Untitled (S.531, Hanging Six-Lobed, Two Continuous Interlocking Forms), ca. 1950
© Estate of Ruth Asawa
Photo: Ron Amstutz
Courtesy: Glenstone Museum

David Hammons
How Ya Like Me Now?, 1988
tin, plywood, sledgehammers, Lucky Strike cigarette wrapper, and American flag
158 x 222 x 48 inches (401 x 564 x 122 cm) overall
© David Hammons
Photo: Tim Nighswander/Imaging4Art.com
Courtesy: Glenstone Museum

Louise Bourgeois
Destruction of the Father, 1974
latex, plaster, wood, fabric, and red light
93 ⅝ x 142 ⅝ x 97 ⅞ inches (238 x 362 x 249 cm)
© The Easton Foundation/VAGA at Artists Rights Society (ARS), NY
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Charles Ray installation (left to right):
Table, 1990
Fall ’91, 1992
Baled Truck, 2014
The New Beetle, 2006
© Charles Ray, courtesy Matthew Marks Gallery
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Mira Schendel installation in Room 2 (left to right):
Objecto gráfico (Graphic Object), 1967–1968
Objecto gráfico (Graphic Object), 1967–1968
Objecto gráfico (Graphic Object), 1972
© 2018 Estate of Mira Schendel, courtesy of Hauser & Wirth
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Pipilotti Rist, Ever Is Over All, 1997
two-channel video with overlapping projections (color, sound with Anders Guggisberg)
left projection: 4 minutes, 9 seconds
right projection: 8 minutes, 25 seconds
Photo: Ron Amstutz
Courtesy: Glenstone Museum. ©2018 Pipilotti Rist

Andy Goldsworthy
detail of Clay Houses (Boulder-Room-Holes), 2007
mica-schist, clay, hair, slate
exterior of each house, height 4m, width 4.9m, length 5.8m
© Andy Goldsworthy, courtesy Galerie Lelong & Co.
Photo: Jerry Thompson
Courtesy: Glenstone Museum

Robert Gober
Untitled (detail), 1992
plywood, forged iron, plaster, latex paint, lights, enameled cast iron, stainless steel, painted cast bronze, water, metal, lightbulbs, cast plaster with casein and silk-screened ink, photolithography on Mohawk Superfine archival paper, twine, hand-painted forest mural
dimensions variable
© Robert Gober, courtesy Matthew Marks Gallery
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Tony Smith
Smug, 1973/2005
aluminum, painted black
11 x 78 x 64 feet (3 x 24 x 20 m)
© Estate of Tony Smith/ Artists Rights Society (ARS), New York
Photo: Iwan Baan
Courtesy: Glenstone Museum

Jeff Koons
Split-Rocker, 2000
stainless steel, soil, geotextile fabric, internal irrigation system, and live flowering plants
37 x 39 x 36 feet
© Jeff Koons
Photo courtesy: Glenstone Museum

On Kawara
Moon Landing (detail), 1969
from the Today series (1966–2013)
acrylic on canvas
three panels, each 61 x 89 inches (155 x 226 cm)
© One Million Years Foundation
Photo: Ron Amstutz
Courtesy Glenstone Museum

Room 2 installation
Eva Hesse
Several, 1965
Artworks by Richard Serra:
White Neon Belt Piece, 1967, and To Lift, 1967
Alan Saret
Four Piece Folding Glade, 1970
© The Estate of Eva Hesse. Courtesy Hauser & Wirth;
© 2018 Richard Serra / Artists Rights Society (ARS), New York;
© 2018 Alan Saret
Photo: Ron Amstutz
Courtesy: Glenstone Museum