Image Captions

Jeff Wall
I giardini / The Gardens (left) Appunto / Complaint; (centre) Disappunto / Denial; (right) Diffilda / Expulsion order , 2017
three inkjet prints
each, 98 ⅝× 149 ⅝ inches (250 × 380 cm)
© Jeff Wall
Courtesy the artist and Glenstone Museum

Jeff Wall
Mother of Pearl, 2016
Inkjet print
23 ⅝ x 27 ¾ inches
© Jeff Wall
Courtesy of the artist

Jeff Wall
Summer Afternoons , 2013
two color photographs
male, 72 × 83 ⅝ inches (183 × 212.5 cm)
female, 78 ¾ ×98 ⅝ inches (200 × 250.5)
© Jeff Wall
Courtesy the artist and Glenstone Museum

Jeff Wall
A Sudden Gust of Wind (after Hokusai) , 1993
transparency in lightbox
90 ⅛ × 148 ⅜ inches (229 × 377 cm)
© Jeff Wall
Courtesy the artist and Glenstone Museum

Jeff Wall
Steves Farm, Steveston , 1980
transparency in lightbox
22 ⅞ × 90 inches (58 × 228.5 cm)
© Jeff Wall
Courtesy the artist and Glenstone Museum

Jeff Wall
Picture for Women, 1979
transparency in lightbox
56 1 ⁄8 × 80 ½ inches (142.5 × 204.5 cm)
© Jeff Wall
Courtesy the artist and Glenstone Museum

Jeff Wall
The Destroyed Room, 1978
transparency in lightbox
62 ⅝ × 90 ⅛ inches (159 × 229 cm)
© Jeff Wall
Courtesy the artist and Glenstone Museum

Arthur Jafa
Ex-Slave Gordon, 2017
vacuum formed plastic
57 x 44 x 9 inches (145 x 112 x 23 cm)
© Arthur Jafa
Courtesy of the artist and Gladstone Gallery, New York and Brussels

Arthur Jafa
Big Wheel VI, 2018
chains, rim, hubcap, and tire
101 x 101 x 41 inches (257 x 257 x 104 cm) tire
© Arthur Jafa
Courtesy of the artist and Gladstone Gallery, New York and Brussel

Arthur Jafa
akingdoncomethas, 2018
Video (color, sound)
© Arthur Jafa
Courtesy the Artist and Gladstone Gallery, New York and Brussels

Rendering of the forest approach to the new building at Glenstone Museum, conceived to house a large-scale Richard Serra work and designed in collaboration between the artist and Thomas Phifer of Thomas Phifer and Partners. Located on Glenstone’s Woodland Trail, with landscape design by Adam Greenspan/PWP.
Image: The Boundary
Courtesy: Glenstone Museum

Rendering of the side view of the new building at Glenstone Museum, conceived to house a large-scale Richard Serra work and designed in collaboration between the artist and Thomas Phifer of Thomas Phifer and Partners. Located on Glenstone’s Woodland Trail, with landscape design by Adam Greenspan/PWP.
Image: The Boundary
Courtesy: Glenstone Museum

Rendering of the boardwalk approach to the new building at Glenstone Museum, conceived to house a large-scale Richard Serra work and designed in collaboration between the artist and Thomas Phifer of Thomas Phifer and Partners. Located on Glenstone’s Woodland Trail, with landscape design by Adam Greenspan/PWP.
Image: The Boundary
Courtesy: Glenstone Museum

Charles Ray
Return to the one, 2020
handmade paper
59 ½ in x 63 in x 55 ½ in (151 cm x 160 cm x 141 cm)
© Charles Ray, courtesy Matthew Marks Gallery
Photo: Josh White

Vija Celmins
Forest Fire, 1965 – 1966
oil on canvas
25 in x 36 in (65 cm x 91 cm)
© Vija Celmins, courtesy Matthew Marks Gallery Photo: Tim Nighswander/Imaging4Art.com

Rachel Harrison
Sculpture with Boots, 2017
wood, polystyrene, chicken wire, cardboard, burlap, cement, acrylic, steel, and pigmented inkjet print
93 x 60 x 46 inches (236 x 152 x 116 cm)
© Rachel Harrison
Photo: Jason Mandella
Courtesy the artist and Greene Naftali, New York

Installation view of The Montafon Letter, 2017; When first I raised the tempest, 2016; and Sunset, 2015
Chalk on blackboard
Dimensions variable
© Tacita Dean
Photo: Ron Amstutz
Courtesy: the artist, Frith Street Gallery, London and Marian Goodman Gallery, New York / Paris

Charles Ray
Horse and rider, 2014
solid stainless steel
109 ½ x 40 x 105 ⅞ inches
© Charles Ray, courtesy Matthew Marks Gallery
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Cy Twombly
Cycnus, Rome, 1978
wood, palm leaf, and white paint
15 ⅞ x 9 ½ x 2 ⅛ inches (40 x 24 x 5 cm)
©Cy Twombly Foundation
Photo: Ron Amstutz
Courtesy: Glenstone Museum

The Passage in the Pavilions
Roni Horn
Water Double, v. 3 (detail), 2013–2016
solid cast glass with as-cast surfaces two units, each 50 ⅛ inches x 53–56-inch tapered diameter (127 cm x 135–142-cm tapered diameter)
© 2018 Roni Horn
Ron Amstutz
Courtesy: Glenstone Museum

Charles Ray second installation (left to right):
Chicken, 2007
Hand holding egg, 2007
Handheld bird, 2006
32 x 33 x 35 = 34 x 33 x 35, 1989
Mime, 2009
Baled truck, 2014
© 2020 Charles Ray
Courtesy: Glenstone Museum

Andy Goldsworthy
detail of Clay Houses (Boulder-Room-Holes), 2007
mica-schist, clay, hair, slate
exterior of each house, height 4m, width 4.9m, length 5.8m
© Andy Goldsworthy, courtesy Galerie Lelong & Co.
Photo: Jerry Thompson
Courtesy: Glenstone Museum

Robert Gober
Untitled (detail), 1992
plywood, forged iron, plaster, latex paint, lights, enameled cast iron, stainless steel, painted cast bronze, water, metal, lightbulbs, cast plaster with casein and silk-screened ink, photolithography on Mohawk Superfine archival paper, twine, hand-painted forest mural
dimensions variable
© Robert Gober, courtesy Matthew Marks Gallery
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Tony Smith
Smug, 1973/2005
aluminum, painted black
11 x 78 x 64 feet (3 x 24 x 20 m)
© Estate of Tony Smith/ Artists Rights Society (ARS), New York
Photo: Iwan Baan
Courtesy: Glenstone Museum

Jeff Koons
Split-Rocker, 2000
stainless steel, soil, geotextile fabric, internal irrigation system, and live flowering plants
37 x 39 x 36 feet
© Jeff Koons
Photo courtesy: Glenstone Museum

On Kawara
Moon Landing (detail), 1969
from the Today series (1966–2013)
acrylic on canvas
three panels, each 61 x 89 inches (155 x 226 cm)
© One Million Years Foundation
Photo: Ron Amstutz
Courtesy Glenstone Museum