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Charles Ray, Third Installation
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From left:
Untitled, 1971
steel and concrete
34 x 189 x 13 inches (86 x 480 x 33 cm)
32 x 33 x 35 = 34 x 33 x 35, 1989
aluminum
32 x 33 x 35 inches (81 x 84 x 89 cm) exterior
34 x 33 x 35 inches (86 x 84 x 89 cm) interior
Return to the one, 2020
handmade paper
59 ½ in x 63 in x 55 ½ in (151 cm x 160 cm x 141 cm)
© Charles Ray, courtesy Matthew Marks Gallery
Courtesy: Glenstone Museum -
Charles Ray, Return to the one, 2020
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handmade paper
59 ½ x 63 x 55 ½ inches (151 x 160 x 141 cm)
© Charles Ray, courtesy Matthew Marks Gallery
Photo: Ron Amstutz
On View -
Simone Leigh
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Village Series, 2021
glazed stoneware (soda), metal, and raffia
© Simone Leigh, Courtesy Matthew Marks Gallery
Courtesy: Glenstone Museum
Photo: Ron Amstutz -
Vija Celmins
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A Painting in Six Parts, 1986-87/2012-16
oil on canvas, six parts
15 ⅛ inches x 254 inches (38.42 cm x 645.16 cm) overall
© Vija Celmins, courtesy Matthew Marks Gallery
Photo: Ron Amstutz
Courtesy: Glenstone Museum -
Vija Celmins
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Blackboard Tableau #14, 2011-15
one found object and one made object: alkyd oil, acrylic, and pastel on wood
18 ¾ inches x 24 inches x 2 ½ inches (47.63 cm x 60.96 cm x 6.35 cm) each
Pencil, 1968-70 acrylic on canvas on wood
3 inches x 66 inches x 3 inches (7.62 cm x 167.64 cm x 7.62 cm)
Forest Fire , 1965-1966
oil on canvas
25 inches x 36 inches (65 x 91 cm)
© Vija Celmins, courtesy Matthew Marks Gallery
Photo: Ron Amstutz
Courtesy: Glenstone Museum -
Arthur Jafa
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Ex-Slave Gordon, 2017
vacuum formed plastic
57 x 44 x 9 inches (145 x 112 x 23 cm)
© Arthur Jafa
Courtesy of the artist and Gladstone Gallery, New York and Brussels
Photo: Ron Amstutz
Courtesy: Glenstone Museum -
Arthur Jafa
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Big Wheel VI, 2018
chains, rim, hubcap, and tire
101 x 101 x 41 inches (257 x 257 x 104 cm) tire
© Arthur Jafa
Courtesy of the artist and Gladstone Gallery, New York and Brussel
Photo: Ron Amstutz
Courtesy: Glenstone Museum -
Arthur Jafa
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akingdoncomethas, 2018
Video (color, sound)
© Arthur Jafa
Courtesy the Artist and Gladstone Gallery, New York and Brussels -
Rendering of the forest approach to the new building at Glenstone Museum, conceived to house a large-scale Richard Serra work and designed in collaboration between the artist and Thomas Phifer of Thomas Phifer and Partners. Located on Glenstone’s Woodland Trail, with landscape design by Adam Greenspan/PWP.
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Image: The Boundary
Courtesy: Glenstone Museum -
Rendering of the side view of the new building at Glenstone Museum, conceived to house a large-scale Richard Serra work and designed in collaboration between the artist and Thomas Phifer of Thomas Phifer and Partners. Located on Glenstone’s Woodland Trail, with landscape design by Adam Greenspan/PWP.
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Image: The Boundary
Courtesy: Glenstone Museum -
Rendering of the boardwalk approach to the new building at Glenstone Museum, conceived to house a large-scale Richard Serra work and designed in collaboration between the artist and Thomas Phifer of Thomas Phifer and Partners. Located on Glenstone’s Woodland Trail, with landscape design by Adam Greenspan/PWP.
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Image: The Boundary
Courtesy: Glenstone Museum -
Vija Celmins
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Forest Fire, 1965 – 1966
oil on canvas
25 in x 36 in (65 cm x 91 cm)
© Vija Celmins, courtesy Matthew Marks Gallery Photo: Tim Nighswander/Imaging4Art.com -
Rachel Harrison
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Sculpture with Boots, 2017
wood, polystyrene, chicken wire, cardboard, burlap, cement, acrylic, steel, and pigmented inkjet print
93 x 60 x 46 inches (236 x 152 x 116 cm)
© Rachel Harrison
Photo: Jason Mandella
Courtesy the artist and Greene Naftali, New York -
Installation view of The Montafon Letter, 2017; When first I raised the tempest, 2016; and Sunset, 2015
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Chalk on blackboard
Dimensions variable
© Tacita Dean
Photo: Ron Amstutz
Courtesy: the artist, Frith Street Gallery, London and Marian Goodman Gallery, New York / Paris -
Charles Ray
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Horse and rider, 2014
solid stainless steel
109 ½ x 40 x 105 ⅞ inches
© Charles Ray, courtesy Matthew Marks Gallery
Photo: Ron Amstutz
Courtesy: Glenstone Museum -
Cy Twombly
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Cycnus, Rome, 1978
wood, palm leaf, and white paint
15 ⅞ x 9 ½ x 2 ⅛ inches (40 x 24 x 5 cm)
©Cy Twombly Foundation
Photo: Ron Amstutz
Courtesy: Glenstone Museum -
The Passage in the Pavilions
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Roni Horn
Water Double, v. 3 (detail), 2013–2016
solid cast glass with as-cast surfaces two units, each 50 ⅛ inches x 53–56-inch tapered diameter (127 cm x 135–142-cm tapered diameter)
© 2018 Roni Horn
Ron Amstutz
Courtesy: Glenstone Museum -
Andy Goldsworthy
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detail of Clay Houses (Boulder-Room-Holes), 2007
mica-schist, clay, hair, slate
exterior of each house, height 4m, width 4.9m, length 5.8m
© Andy Goldsworthy, courtesy Galerie Lelong & Co.
Photo: Jerry Thompson
Courtesy: Glenstone Museum -
Robert Gober
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Untitled (detail), 1992
plywood, forged iron, plaster, latex paint, lights, enameled cast iron, stainless steel, painted cast bronze, water, metal, lightbulbs, cast plaster with casein and silk-screened ink, photolithography on Mohawk Superfine archival paper, twine, hand-painted forest mural
dimensions variable
© Robert Gober, courtesy Matthew Marks Gallery
Photo: Ron Amstutz
Courtesy: Glenstone Museum -
Tony Smith
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Smug, 1973/2005
aluminum, painted black
11 x 78 x 64 feet (3 x 24 x 20 m)
© Estate of Tony Smith/ Artists Rights Society (ARS), New York
Photo: Iwan Baan
Courtesy: Glenstone Museum -
Jeff Koons
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Split-Rocker, 2000
stainless steel, soil, geotextile fabric, internal irrigation system, and live flowering plants
37 x 39 x 36 feet
© Jeff Koons
Photo courtesy: Glenstone Museum -
On Kawara
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Moon Landing (detail), 1969
from the Today series (1966–2013)
acrylic on canvas
three panels, each 61 x 89 inches (155 x 226 cm)
© One Million Years Foundation
Photo: Ron Amstutz
Courtesy Glenstone Museum