Image Captions

Faith Ringgold
Slave Rape #1: Fear Will Make You Weak, 1972
oil on canvas
90 in x 51 in
Slave Rape #2: Run You Might Get Away, 1972
oil on canvas
92 in x 52 in
Slave Rape #3: Fight to Save Your Life, 1972
oil on canvas
92 in x 51 in
© 2021 Faith Ringgold / Artists Rights Society (ARS), New York, Courtesy ACA Galleries, New York
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Installation View: Faith Ringgold
From left:
Faith Ringgold
Jazz Stories: Mama Can Sing Papa Can Blow #1: Somebody Stole My Broken Heart, 2004
acrylic on canvas with painted and pieced border
81 in x 67 in
ACA Galleries, New York
Dah #3, 1983
acrylic on canvas
74 in x 58 in
ACA Galleries, New York
Dah #4, 1983
acrylic on canvas
74 in x 58 in
ACA Galleries, New York
California Dah #5, 1983
acrylic on canvas
110 in x 48 in
ACA Galleries, New York
California Dah #4, 1983
acrylic on canvas
© 2021 Faith Ringgold / Artists Rights Society (ARS), New York, Courtesy ACA Galleries, New York
Photo: Ron Amstutz
Courtesy: Glenstone Museum

32. Installation View: Faith Ringgold
From left:
Faith Ringgold
Early Works #22: Uptight Negro, 1964
oil on paperboard
24 in x 18 in
ACA Galleries, New York
American People #19: U.S. Postage Stamp Commemorating the Advent of Black Power, 1967
oil on canvas
72 in x 96 in
ACA Galleries, New York
American People #14: Portrait of an American Youth, 1964 oil on canvas
36 in x 24 in
ACA Galleries, New York
© 2021 Faith Ringgold / Artists Rights Society (ARS), New York, Courtesy ACA Galleries, New York
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Faith Ringgold
The Screaming Woman, 1981
mixed media
61 in x 14 in x 8 in Figure
2 in x 12 in x 19 in Pocketbook
ACA Galleries, New York
© 2021 Faith Ringgold / Artists Rights Society (ARS), New York, Courtesy ACA Galleries, New York
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Faith Ringgold
The American Collection #6: The Flag is Bleeding #2, 1997
acrylic on canvas with painted and pieced border
76 in x 79 in
© 2021 Faith Ringgold / Artists Rights Society (ARS), New York, Courtesy ACA Galleries, New York
Courtesy: Glenstone Museum

Faith Ringgold
Who's Afraid of Aunt Jemima?, 1983
acrylic on canvas
90 in x 80 in
© 2021 Faith Ringgold / Artists Rights Society (ARS), New York, Courtesy ACA Galleries, New York
Courtesy: Glenstone Museum

Faith Ringgold
Change 3: American People Series #4: The Civil Rights Triangle, 1963
oil on canvas
36 3/16 x 42 ⅛ inches (92 x 107 cm)
© 2021 Faith Ringgold / Artists Rights Society (ARS), New York, Courtesy ACA Galleries, New York
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Faith Ringgold
Change 3: Faith Ringgold’s Over 100 Pound Weight Loss Performance Story Quilt, 1991
acrylic on canvas with pieced fabric border
75 x 85 ½ inches (191 x 217 cm)
© 2021 Faith Ringgold / Artists Rights Society (ARS), New York, Courtesy ACA Galleries, New York
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Faith Ringgold
Black Light Series #12: Party Time, 1969
oil on canvas
59 ¾ x 85 ½ inches (152 x 217 cm)
© 2021 Faith Ringgold / Artists Rights Society (ARS), New York, Courtesy ACA Galleries, New York
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Installation view of The Montafon Letter, 2017; When first I raised the tempest, 2016; and Sunset, 2015
Chalk on blackboard
Dimensions variable
© Tacita Dean
Photo: Ron Amstutz
Courtesy: the artist, Frith Street Gallery, London and Marian Goodman Gallery, New York / Paris

Charles Ray
Horse and rider, 2014
solid stainless steel
109 ½ x 40 x 105 ⅞ inches
© Charles Ray, courtesy Matthew Marks Gallery
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Cy Twombly
Cycnus, Rome, 1978
wood, palm leaf, and white paint
15 ⅞ x 9 ½ x 2 ⅛ inches (40 x 24 x 5 cm)
©Cy Twombly Foundation
Photo: Ron Amstutz
Courtesy: Glenstone Museum

The Passage in the Pavilions
Roni Horn
Water Double, v. 3 (detail), 2013–2016
solid cast glass with as-cast surfaces two units, each 50 ⅛ inches x 53–56-inch tapered diameter (127 cm x 135–142-cm tapered diameter)
© 2018 Roni Horn
Ron Amstutz
Courtesy: Glenstone Museum

Yayoi Kusama
Accumulation on Cabinet No. 1, 1963
sewn and stuffed fabric, wooden cabinet, cups, glasses, wire mesh, decanter, tea kettle, and paint
60 ½ x 42 ½ x 17 ¾ inches (154 x 108 x 45 cm)
© Yayoi Kusama
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Marcel Duchamp
Roue de Bicyclette (Bicycle Wheel), 1913/1964
bicycle wheel, fork, kitchen stool, and white paint
50 ⅜ x 25 ⅝ x 12 ⅝ inches (128 x 65 x 32 cm)
© Association Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS), New York
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Room 2 installation
Ruth Asawa (left to right)
Untitled (S.693, Hanging Six-Lobed, Two-Part, Complex Form within a Form with One Suspended Sphere in the Top Lobe), ca. 1956
Untitled (S.335, Hanging Four-and-a-Half Open Hyperbolic Shapes That Penetrate Each Other), ca. 1954
Untitled (S.531, Hanging Six-Lobed, Two Continuous Interlocking Forms), ca. 1950
© Estate of Ruth Asawa
Photo: Ron Amstutz
Courtesy: Glenstone Museum

David Hammons
How Ya Like Me Now?, 1988
tin, plywood, sledgehammers, Lucky Strike cigarette wrapper, and American flag
158 x 222 x 48 inches (401 x 564 x 122 cm) overall
© David Hammons
Photo: Tim Nighswander/Imaging4Art.com
Courtesy: Glenstone Museum

Charles Ray second installation (left to right):
Chicken, 2007
Hand holding egg, 2007
Handheld bird, 2006
32 x 33 x 35 = 34 x 33 x 35, 1989
Mime, 2009
Baled truck, 2014
© 2020 Charles Ray
Courtesy: Glenstone Museum

Mira Schendel installation in Room 2 (left to right):
Objecto gráfico (Graphic Object), 1967–1968
Objecto gráfico (Graphic Object), 1967–1968
Objecto gráfico (Graphic Object), 1972
© 2018 Estate of Mira Schendel, courtesy of Hauser & Wirth
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Andy Goldsworthy
detail of Clay Houses (Boulder-Room-Holes), 2007
mica-schist, clay, hair, slate
exterior of each house, height 4m, width 4.9m, length 5.8m
© Andy Goldsworthy, courtesy Galerie Lelong & Co.
Photo: Jerry Thompson
Courtesy: Glenstone Museum

Robert Gober
Untitled (detail), 1992
plywood, forged iron, plaster, latex paint, lights, enameled cast iron, stainless steel, painted cast bronze, water, metal, lightbulbs, cast plaster with casein and silk-screened ink, photolithography on Mohawk Superfine archival paper, twine, hand-painted forest mural
dimensions variable
© Robert Gober, courtesy Matthew Marks Gallery
Photo: Ron Amstutz
Courtesy: Glenstone Museum

Tony Smith
Smug, 1973/2005
aluminum, painted black
11 x 78 x 64 feet (3 x 24 x 20 m)
© Estate of Tony Smith/ Artists Rights Society (ARS), New York
Photo: Iwan Baan
Courtesy: Glenstone Museum

Jeff Koons
Split-Rocker, 2000
stainless steel, soil, geotextile fabric, internal irrigation system, and live flowering plants
37 x 39 x 36 feet
© Jeff Koons
Photo courtesy: Glenstone Museum

On Kawara
Moon Landing (detail), 1969
from the Today series (1966–2013)
acrylic on canvas
three panels, each 61 x 89 inches (155 x 226 cm)
© One Million Years Foundation
Photo: Ron Amstutz
Courtesy Glenstone Museum

Room 2 installation
Richard Tuttle
Canvas Dark Blue, 1967
Artworks by Richard Serra:
White Neon Belt Piece, 1967, and To Lift, 1967
Alan Saret
Four Piece Folding Glade, 1970
Eva Hesse
Sans II, 1968
© The Estate of Eva Hesse. Courtesy Hauser & Wirth;
© 2018 Richard Serra / Artists Rights Society (ARS), New York;
© 2018 Alan Saret
© Richard Tuttle, courtesy Pace Gallery Photo: Ron Amstutz