Our Publications

• 
  Roni Horn

  Catalogue features: Introduction by Emily Wei Rales; Essay titled “Going North Roni Horn” written by Gary Indiana, writer, filmmaker, and visual artist; Photo-essay by Jerry Gorovoy, Director of Louise Bourgeois’s Easton Foundation; Text titled “My Oz” written by Roni Horn; 85 full color images of works in the Glenstone Collection and comparative figures.

  Publication date: 2017
  Page count: 300

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  $75.00

  Purchase Catalog

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  Fred Sandback: Light, Space, Facts

  Catalogue features: Foreword and Introduction by Emily Wei Rales; Essay titled “Disillusion and Dissolution” written by Harry Cooper, Curator and Head of Modern Art at the National Gallery of Art, Washington; Essay titled “Sandback’s Color” written by Briony Fer, Professor of History of Art, University College London and Research Director and Fellow of the British Academy; 46 full color images of works in the Glenstone Collection and comparative figures.

  Available for purchase at Glenstone

  Publication date: 2016
  Page count: 108

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  Peter Fischli David Weiss

  Catalogue features: Foreword and Introduction by Emily Wei Rales; Essay titled “A Fine Balance” written by Mark Godfrey, Curator, International Art, at Tate Modern; Essay titled “Looking at the Flow of Things” written by Boris Groys, German philosopher and critic focusing on contemporary art; Interview of Brian O’Doherty, contemporary artist and critic, conducted by Hans Ulrich Obrist, Co-Director of Exhibitions and Programs and Director of International Projects at the Serpentine Gallery, London; 3,728 full color images of works in the Glenstone Collection and comparative figures.

  Publication date: 2013
  Page count: 256

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  $65.00

  Purchase Catalog

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  No Substitute

  Catalogue features: Foreword and Introduction by Emily Wei Rales; Essay titled “Ghost Studies” written by Jack Bankowsky, former Editor-At-Large of Artforum and specialist in contemporary art; 88 full color images of works in the Glenstone Collection and comparative figures.

  Available for purchase at Glenstone.

  Publication date: 2011
  Page count: 136

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  If We Could Imagine

  Catalogue features: Foreword and Introduction by Emily Wei Rales; Essay titled “Illusionistic Values” written by Jeffrey Weiss, Senior Curator of the Guggenheim Museum and Curator of the Panza Collection; 84 full color images of works in the Glenstone Collection and comparative figures.

  Available for purchase at Glenstone

  Publication date: 2009
  Page count: 140

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  Glenstone: The Inaugural Exhibition

  Catalogue features a foreword by Mitchell P. Rales; interview of Mitchell P. Rales conducted by Stephanie Rachum, former Senior Curator of Modern Art at the Israel Museum; essay titled “When Artworks Resist” written by Yve-Alain Bois, specialist in twentieth-century European and American Art and Professor in the School of Historical Studies at the Institute for Advance Study in Princeton, New Jersey; and full color images of works in the Glenstone Collection.

  Available for purchase at Glenstone.

  Publication date: 2008
  Page count: 188

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  Cy Twombly

  Edited by Emily Wei Rales, Ali Nemerov. Introduction by Emily Wei Rales. Text by Kate Nesin.

  Though perhaps best known for his paintings, Cy Twombly (1928–2011) developed a singular body of sculpture over the course of his 60-year career. These sculptures are made from quotidian materials such as wood, metal and found objects, to which he applied a delicate and unifying layer of white paint. The resulting group of works appear not so much as a progression as a series as they do, individually, as a metamorphosis of material. This book marks the long-term exhibition of five Twombly sculptures at Glenstone Museum. The catalogue includes an original essay by scholar Kate Nesin and never-before-published archival images of the sculptures in the artist’s studios in Italy courtesy of the Nicola Del Roscio Archives.

  Publication date: 2018
  Page count: 64

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  $35.00

  Purchase Catalog

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  Robert Gober

  Edited by Emily Wei Rales, Anne Reeve, Ali Nemerov. Introduction by Emily Wei Rales. Text by Jim Lewis.

  This book marks the long-term installation of Robert Gober’s (born 1954) seminal Untitled (1992) at Glenstone Museum. Untitled is an immersive, multi-sensorial installation with diverse constituent parts: sinks with running water, darkened exterior pathways, a brightly-lit interior chamber, a hand-painted 360-degree mural and discrete sculptural elements made to appear like prison windows, boxes of rat bait and bundles of newspaper. Robert Gober includes never-before-published archival images of the work’s original presentation at the Dia Center for the Arts in New York, an oral history based on interviews with the artist and collaborators, an original essay by author Jim Lewis and extensive imagery of the piece as installed at Glenstone Museum.

  Publication date: 2018
  Page count: 150

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  $35.00

  Purchase Catalog

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  Brice Marden

  Edited with interview by Emily Wei Rales, Ali Nemerov. Introduction by Emily Wei Rales. Text by Suzanne Hudson.

  Throughout his career, American artist Brice Marden (born 1938) has explored various modes of painterly abstraction, producing monochrome canvases in nuanced, muted hues as well as calligraphic compositions on a grand scale. This book marks the long-term exhibition of Moss Sutra with the Seasons (2010–15) at Glenstone Museum, a monumental five-panel painting commissioned by Glenstone and inspired by the artist’s fascination with moss, the changing seasons and traditional Chinese calligraphy, among other subjects. The catalog includes two original essays by art historian Suzanne Hudson, an interview with the artist about this commission and a photo-essay by the artist’s daughter, Mirabelle Marden, who documented the process of creating the work. Also included are reproductions of all additional works by the artist in Glenstone’s collection, a group which spans each decade of the artist’s career and an introduction by Emily Wei Rales, Founder and Director of Glenstone Museum.

  Publication date: 2018
  Page count: 134

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  $50.00

  Purchase Catalog

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• 
  Louise Bourgeois: To Unravel a Torment

  Edited by Emily Wei Rales, Ali Nemerov. Introduction by Emily Wei Rales. Text by Briony Fer, Philip Larratt-Smith.

  Louise Bourgeois: To Unravel a Torment accompanies the first exhibition of the artist’s work at Glenstone Museum, and features more than 30 major works drawn from the museum’s collection. From her early wooden Personages to her large hanging sculptures, from suites of drawings and prints to textile works and her immersive Cells, To Unravel a Torment surveys Bourgeois’ career through selected examples from her enormous body of work.

  Publication date: 2018
  Page count: 208

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  $50.00

  Purchase Catalog

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  On Kawara

  Edited by Emily Wei Rales, Anne Reeve, Ali Nemerov. Introduction by Emily Wei Rales. Text by E. B. White, Lynne Tillman.

  For nearly 50 years Japanese-born artist On Kawara (29,771 days) devoted himself to a quiet practice of marking time, incrementally, via various methods and media. He is best known for a continuous series of monochromatic canvases, collectively titled Today, upon which each work’s date of execution is painted in precise white script. This book marks the long-term exhibition of the Today triptych Moon Landing (1969) at Glenstone Museum. It includes text by E. B. White, an original essay by Lynne Tillman, installation photography and reproductions of all additional works by the artist in Glenstone’s collection.

  Publication date: 2018
  Page count: 130

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  $60.00

  Purchase Catalog

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• 
  Michael Heizer

  Edited by Emily Wei Rales, Nora Severson Cafritz, Ali Nemerov.

  American sculptor Michael Heizer (born 1944) was among the first artists to reject the white cube gallery space in favor of the open land and majestic vistas of the western United States. Michael Heizer marks the unveiling of Collapse(1967/2016) and Compression Line (1968/2016) at Glenstone Museum. Monumental in scale but composed with rhythm and elegance, the two sculptures individually embody opposing aspects of Heizer’s sculptural practice: beams exploding from an unseen depth and a sliver of space compressed so precisely that the viewer is unaware of the vast negative area hidden beneath it. This book includes an interview with the artist, previously unpublished archival images and extensive process and installation photography.

  Publication date: 2018
  Page count: 150

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  $30.00

  Purchase Catalog

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• 
  Charles Ray

  Edited by Emily Wei Rales, Nora Severson Cafritz, Ali Nemerov. Introduction by Emily Wei Rales.

  In his sculptural practice, American artist Charles Ray (born 1953) has long been fascinated by the concept of representation, the depiction of the human form and questions of scale. Known for his keen sense of—and respect for—the uncanny, Ray has carved a widely admired path that crisscrosses the arenas of minimalism and conceptual art, while continually pushing the boundaries of visual perception. This book marks the long-term exhibition of works at Glenstone Museum selected by the artist, including Baled Truck (2013), a sculpture made of solid machined stainless steel, emblematic of the artist’s meticulous fabrication process. It also includes a conversation with—and text by—the artist and installation photography.

  Publication date: 2018
  Page count: 52

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  $35.00

  Purchase Catalog

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