Room 2 Installation

October 2018—August 2021

As part of the Pavilions’ inaugural installation, Room 2 features 65 works by 53 artists dating from 1943 to 1989. Organized both geographically and chronologically, the installation highlights major moments in the history of post-war art, including avant-garde movements that flourished in 1950s New York, 1960s Japan, 1970s Brazil, and 1980s Germany. Juxtaposing iconic artists with lesser-known contemporaries, this installation showcases the depth and breadth of the Glenstone collection.

Exhibition Preview

    • Martin, ab in die Ecke und scham dich </i> <br>(Martin, Into the Corner, You should be Ashamed of Yourself)
      Martin Kippenberger
      Martin, ab in die Ecke und scham dich
      (Martin, Into the Corner, You should be Ashamed of Yourself), 1989
      Kippenberger 1989
      Martin, ab in die Ecke und scham dich
      (Martin, Into the Corner, You should be Ashamed of Yourself), 1989
      hard foam, cast resin, latex, acrylic, metal, Styrofoam, foam rubber, clothing, and iron plate
      68 ⅞ x 26 ¾ x 17 ½ inches (175 x 68 x 44 cm)
      © Estate of Martin Kippenberger, Galerie Gisela Capitain, Cologne
      Photo: Ron Amstutz
       Ron Amstutz
      Martin Kippenberger https://www.glenstone.org/wp-content/uploads/2018/08/KIPPm_GF_MartinAbInDieEcke-600x800.jpg
    • Untitled
      Keith Haring
      Untitled, 10/22/1988
      Haring 1988
      Untitled, 10/22/1988
      acrylic and metallic paint on canvas
      119 x 204 inches (302 x 518 cm)
      © Keith Haring
      Photo: Ron Amstutz
       Ron Amstutz
      Keith Haring https://www.glenstone.org/wp-content/uploads/2018/08/HARIk_GF_Untitled_Rm2.jpg
    • How Ya Like Me Now?
      David Hammons
      How Ya Like Me Now?, 1988
      Hammons 1988
      How Ya Like Me Now?, 1988
      tin, plywood, sledgehammers, Lucky Strike cigarette wrapper, and American flag
      158 x 222 x 48 inches (401 x 564 x 122 cm) overall
      © David Hammons
      Photo: Ron Amstutz
       Ron Amstutz
      David Hammons https://www.glenstone.org/wp-content/uploads/2018/04/HAMMd_GF_HowYa-1.jpg
    • Untitled (Made in Western Germany)
      Rosemarie Trockel
      Untitled (Made in Western Germany), 1987
      Trockel 1987
      Untitled (Made in Western Germany), 1987
      gray and black wool on stretcher
      94 ⅝ x 212 ⅝ x 1 ¼ inches (240 x 540 x 3 cm) overall
      © Rosemarie Trockel
      Rosemarie Trockel https://www.glenstone.org/wp-content/uploads/2018/08/TROCr_GF_MadeInGermany-1276x573.jpg
    • Ich kann beim besten Willen kein Hakenkreuz entdecken </i> <br>(With the Best Will in the World, I Can’t See a Swastika)
      Martin Kippenberger
      Ich kann beim besten Willen kein Hakenkreuz entdecken
      (With the Best Will in the World, I Can’t See a Swastika), 1984
      Kippenberger 1984
      Ich kann beim besten Willen kein Hakenkreuz entdecken
      (With the Best Will in the World, I Can’t See a Swastika), 1984
      oil and silicone on canvas
      63 x 52 ⅜ inches (160 x 133 cm)
      © Estate of Martin Kippenberger, Galerie Gisela Capitain, Cologne
      Photo: Ron Amstutz
       Ron Amstutz
      Martin Kippenberger https://www.glenstone.org/wp-content/uploads/2018/08/KIPPm_GF_IchKann-600x800.jpg
    • Untitled (We won’t play nature to your culture)
      Barbara Kruger
      Untitled (We won’t play nature to your culture), 1983
      Kruger 1983
      Untitled (We won’t play nature to your culture), 1983
      photostat and red painted wood frame
      73 x 49 inches (185 x 124 cm)
      Photo: Ron Amstutz
       Ron Amstutz
      Barbara Kruger https://www.glenstone.org/wp-content/uploads/2018/08/KRUGb_GF_UntitledWeWont-600x800.jpg
    • Frogmen
      Jean-Michel Basquiat
      Frogmen, 1983
      Basquiat 1983
      Frogmen, 1983
      acrylic, oil stick, paper, and color copy paper on canvas with metal hinges
      48 x 185 ¼ inches (122 x 471 cm)
      © The Estate of Jean-Michel Basquiat / ADAGP, Paris / ARS, New York 2018
      Photo: Ron Amstutz
       Ron Amstutz
      Jean-Michel Basquiat https://www.glenstone.org/wp-content/uploads/2018/07/BASQj_GF_Frogmen.jpg A six-paneled canvas in various colors shows drawings including an octopus, various words crossed out, a cartoon cat, and xereoxed pages.
    • American Violence
      Bruce Nauman
      American Violence, 1981-1982
      Nauman 1981
      American Violence, 1981-1982
      neon tubing with clear glass-tubing suspension frame
      78 x 61 ¾ x 3 ⅛ inches (198 x 157 x 8 cm)
      © 2018 Bruce Nauman / Artists Rights Sodety (ARS), New York
      Photo: Ron Amstutz
       Ron Amstutz
      Bruce Nauman https://www.glenstone.org/wp-content/uploads/2018/09/NAUMb_GF_AmericanViolence-1-600x800.jpg
    • Objeto gráfico </i> (Graphic object)
      Mira Schendel
      Objeto gráfico (Graphic object), 1972
      Schendel 1972
      Objeto gráfico (Graphic object), 1972
      transfer type, Japanese paper, and translucent acrylic plates
      37 ⅜ x 37 ⅜ x ⅜ inches (95 x 95 x 1 cm)
      © 2018 Estate of Mira Schendel, Courtesy of Hauser & Wirth
      Photo: Ron Amstutz
       Ron Amstutz
      Mira Schendel https://www.glenstone.org/wp-content/uploads/2018/08/SCHEm_GF_ObjetoGrafico1972-600x800.jpg
    • Mappa </i> (Map)
      Alighiero e Boetti
      Mappa (Map), 1971-1972
      Boetti 1971
      Mappa (Map), 1971-1972
      embroidery on linen
      78 ¾ x 141 ¾ inches (200 x 360 cm)
      © 2018 Artists Rights Society (ARS), New York / SIAE, Rome
      Photo: Ron Amstutz
       Ron Amstutz
      Alighiero e Boetti https://www.glenstone.org/wp-content/uploads/2018/08/BOETa_GF_Mappa.jpg A rectangular tapestry embroidered with a map of the world, each country represented by its flag. The tapestry is bordered by multicolored lettering in Arabic, Italian, and English.
    • Four Piece Folding Glade
      Alan Saret
      Four Piece Folding Glade, 1970
      Saret 1970
      Four Piece Folding Glade, 1970
      painted wire mesh
      144 x 60 x 36 inches (366 x 152 x 91 cm)
      © 2018 Alan Saret
      Photo: Ron Amstutz
       Ron Amstutz
      Alan Saret https://www.glenstone.org/wp-content/uploads/2018/10/SAREa_GF_FourPiece_RA_-600x800.jpg
    • Relevo no. 259 </i> (Relief no. 259)
      Sergio Camargo
      Relevo no. 259 (Relief no. 259), 1970
      Camargo 1970
      Relevo no. 259 (Relief no. 259), 1970
      oil on wood construction
      31 ⅜ x 31 ⅜ x 4 ⅞ inches (80 x 80 x 12 cm)
      © Sergio Camargo
      Photo: Ron Amstutz
       Ron Amstutz
      Sergio Camargo https://www.glenstone.org/wp-content/uploads/2018/08/CARMs_GF_ReliefNo259-600x800.jpg
    • WING
      Lynda Benglis
      WING, 1970
      Benglis 1970
      WING, 1970
      cast aluminum
      67 x 59 ½ x 60 inches (170 x 151 x 152 cm)
      © Lynda Benglis
      Photo: Ron Amstutz
       Ron Amstutz
      Lynda Benglis https://www.glenstone.org/wp-content/uploads/2018/08/BENGl_GF_WING-e1537467803654-605x800.jpg A metallic, flowing aluminum sculpture protrudes from the wall.
    • Herd </i> (Stove)
      Dieter Roth
      Herd (Stove), 1969
      Roth 1969
      Herd (Stove), 1969
      metal stove and chocolate
      38 ¾ x 43 ½ x 41 inches (98 x 110 x 104 cm)
      © Dieter Roth
      Photo: Ron Amstutz
       Ron Amstutz
      Dieter Roth https://www.glenstone.org/wp-content/uploads/2018/08/ROTHd_GF_Herd.jpg
    • Untitled (Wraparound Triptych — Blue, Green, Lavender)
      Jo Baer
      Untitled (Wraparound Triptych — Blue, Green, Lavender), 1969-1974
      Baer 1969
      Untitled (Wraparound Triptych — Blue, Green, Lavender), 1969-1974
      oil on canvas
      48 x 52 inches (122 x 132 cm)
      © Jo Baer
      Jo Baer https://www.glenstone.org/wp-content/uploads/2018/07/BAERj_GF_WraparoundTriptych-1200x800.jpg Three gray paintings are hung equidistantly on a gallery wall. Each has a stripe of color outlined in black wrapping around the edge of the canvas toward the wall.
    • Les Portes, Musée d’Art Moderne Les Aigles—Section XIXe siècle <br> </i> (The Doors, Museum of Modern Art, Eagles—Section 19th Century)
      Marcel Broodthaers
      Les Portes, Musée d’Art Moderne Les Aigles—Section XIXe siècle
      (The Doors, Museum of Modern Art, Eagles—Section 19th Century), 1969
      Broodthaers 1969
      Les Portes, Musée d’Art Moderne Les Aigles—Section XIXe siècle
      (The Doors, Museum of Modern Art, Eagles—Section 19th Century), 1969
      vacuum-formed plastic, painted
      75 9/16 x 70 1/16 inches (192 x 178 cm)
      © 2018 Artists Rights Society (ARS), New York / SABAM, Brussels
      Photo: Ron Amstutz
       Ron Amstutz
      Marcel Broodthaers https://www.glenstone.org/wp-content/uploads/2018/08/BROOm_GF_LesPortes-600x800.jpg Two black-and-grey plastic panels in the shape of French doors. The left panel is labeled "Musee" above "d'art moderne" and the right says "Des Aigles" above "section XIXe sie." Parts of the text are obscured by lines and shapes.
    • Sans II
      Eva Hesse
      Sans II, 1968
      Hesse 1968
      Sans II, 1968
      fiberglass and polyester resin
      38 x 86 x 6 ⅛ inches (97 x 218 x 16 cm)
      © Eva Hesse
      Photo: Adam Reich
       Adam Reich
      Eva Hesse https://www.glenstone.org/wp-content/uploads/2018/09/HESSe_GF_SansII.jpg
    • Cubo </i> (Cube)
      Alighiero e Boetti
      Cubo (Cube), 1968
      Boetti 1968
      Cubo (Cube), 1968
      wood, polystyrene, steel rods, aluminum, fiberglass, cardboard, plastic, glass, rubber, wire, wool, glue, and Plexiglas
      35 ⅜ x 35 ⅜ x 35 ⅞ inches (90 x 90 x 91 cm)
      © 2018 Artists Rights Society (ARS), New York / SIAE, Rome
      Photo: Ron Amstutz
       Ron Amstutz
      Alighiero e Boetti https://www.glenstone.org/wp-content/uploads/2018/08/BOETa_GF_Cubo-600x800.jpg A plexiglass cube sits on a gallery floor, and it is full of wood, insulation, and various other materials.
    • Very Worldly
      Gladys Nilsson
      Very Worldly, 1967
      Nilsson 1967
      Very Worldly, 1967
      acrylic and collage on Plexiglas in artist's frame
      51 ⅝ x 75 ⅝ x 2 ½ inches (131 x 192 x 6 cm) framed
      © Courtesy the artist and Garth Greenan Gallery, New York
      Photo: courtesy Matthew Marks Gallery
       courtesy Matthew Marks Gallery
      Gladys Nilsson https://www.glenstone.org/wp-content/uploads/2021/04/NILSg_GF_VeryWorldly.jpg
    • Constant
      Eva Hesse
      Constant, 1967
      Hesse 1967
      Constant, 1967
      acrylic, wood shavings, modeling compound, plywood, and rubber
      60 x 60 x 5 inches (152 x 152 x 13 cm)
      © Eva Hesse
      Photo: Ron Amstutz
       Ron Amstutz
      Eva Hesse https://www.glenstone.org/wp-content/uploads/2018/08/HESSe_GF_Constant-600x800.jpg
    • To Lift
      Richard Serra
      To Lift, 1967
      Serra 1967
      To Lift, 1967
      vulcanized rubber
      36 x 80 x 60 inches (91 x 203 x 152 cm)
      © 2018 Richard Serra / Artists Rights Society (ARS), New York
      Photo: Ron Amstutz
       Ron Amstutz
      Richard Serra https://www.glenstone.org/wp-content/uploads/2018/08/SERRr_GF_ToLift.jpg
    • Objeto gráfico </i> (Graphic object)
      Mira Schendel
      Objeto gráfico (Graphic object), 1967-1968
      Schendel 1967
      Objeto gráfico (Graphic object), 1967-1968
      graphite, rice paper, and transparent acrylic plates
      38 ⅝ x 38 ⅜ x ¼ inches (98 x 97 x 1 cm)
      © 2018 Estate of Mira Schendel, Courtesy of Hauser & Wirth
      Photo: Ron Amstutz
       Ron Amstutz
      Mira Schendel https://www.glenstone.org/wp-content/uploads/2018/08/SCHEm_GF_ObjetoGrafico1960-600x800.jpg
    • Objeto gráfico </i> (Graphic object)
      Mira Schendel
      Objeto gráfico (Graphic object), 1967-1968
      Schendel 1967
      Objeto gráfico (Graphic object), 1967-1968
      oil stick, transfer type, rice paper, and transparent acrylic plates
      38 ⅝ x 38 ⅜ x ¼ inches (98 x 97 x 1 cm)
      © 2018 Estate of Mira Schendel, Courtesy of Hauser & Wirth
      Photo: Ron Amstutz
       Ron Amstutz
      Mira Schendel https://www.glenstone.org/wp-content/uploads/2018/08/SCHEm_GF_ObjetoGrafico-600x800.jpg
    • Canvas Dark Blue
      Richard Tuttle
      Canvas Dark Blue, 1967
      Tuttle 1967
      Canvas Dark Blue, 1967
      dyed and shaped unstretched canvas
      68 in x 35 ⅛ inches (173 x 90 cm)
      © Richard Tuttle, courtesy Pace Gallery
      Photo: Tim Nighswander/Imaging4Art.com
       Tim Nighswander/Imaging4Art.com
      Richard Tuttle https://www.glenstone.org/wp-content/uploads/2018/06/tuttle-Canvas-Dark-Blue-670x800.jpg
    • White Neon Belt Piece
      Richard Serra
      White Neon Belt Piece, 1967
      Serra 1967
      White Neon Belt Piece, 1967
      vulcanized rubber, neon tubing, cable, iron clips, and transformer
      75 x 15 x 17 inches (191 x 38 x 43 cm)
      © 2018 Richard Serra / Artists Rights Society (ARS), New York
      Photo: Ron Amstutz
       Ron Amstutz
      Richard Serra https://www.glenstone.org/wp-content/uploads/2018/04/SERRr_GF_Belt-600x800.jpg
    • Pilgrimage
      Agnes Martin
      Pilgrimage, 1966
      Martin 1966
      Pilgrimage, 1966
      graphite and acrylic on canvas
      72 x 72 inches (183 x 183 cm)
      © 2018 Agnes Martin / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
       Tim Nighswander/Imaging4Art.com
      Agnes Martin https://www.glenstone.org/wp-content/uploads/2018/07/MARTa_GF_Pilgrimage.jpg
    • a primary picture
      Dan Flavin
      a primary picture, 1964
      Flavin 1964
      a primary picture, 1964
      red, yellow and blue fluorescent light
      31 x 49 x 4 inches (79 x 124 x 10 cm)
      © 2018 Stephen Flavin / Artists Rights Society (ARS), New York
      Photo: Ron Amstutz
       Ron Amstutz
      Dan Flavin https://www.glenstone.org/wp-content/uploads/2018/08/FLAVd_GF_PrimaryPicture-600x800.jpg An installation of two red, two yellow and one blue florescent light forming a rectangle is mounted on to a white wall
    • Roue de Bicyclette</i> (Bicycle Wheel)
      Marcel Duchamp
      Roue de Bicyclette (Bicycle Wheel), 1964
      Duchamp 1964
      Roue de Bicyclette (Bicycle Wheel), 1964
      bicycle wheel, fork, kitchen stool, and white paint
      50 ⅜ x 25 ⅝ x 12 ⅝ inches (128 x 65 x 32 cm)
      © Association Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS), New York
      Photo: Ron Amstutz
       Ron Amstutz
      Marcel Duchamp https://www.glenstone.org/wp-content/uploads/2018/08/DUCHm_GF_RoueDeBicyclette-600x800.jpg One dark bicycle wheel with gray spokes attached at the bicycle fork crown to an upright, tan, wooden stool.
    • Fountain
      Marcel Duchamp
      Fountain, 1964
      Duchamp 1964
      Fountain, 1964
      glazed cast ceramic urinal with black paint
      14 ⅛ x 18 ⅞ x 24 inches (36 x 48 x 61 cm)
      © Association Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS), New York
      Photo: Ron Amstutz
       Ron Amstutz
      Marcel Duchamp https://www.glenstone.org/wp-content/uploads/2018/08/DUCHm_GF_Fountain-600x800.jpg Supine white urinal signed "R Mutt 1917."
    • Schokoladenbild </i> (Chocolate Painting)
      Sigmar Polke
      Schokoladenbild (Chocolate Painting), 1964
      Polke 1964
      Schokoladenbild (Chocolate Painting), 1964
      enamel on canvas
      35 ¼ x 39 ¼ x 1 inches (90 x 100 x 3 cm)
      © 2018 Estate of Sigmar Polke / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn, Germany
      Photo: Alex Jamison
       Alex Jamison
      Sigmar Polke https://www.glenstone.org/wp-content/uploads/2018/06/POLKs_schokoladen_003-884x800.jpg
    • Gold Standard
      Robert Rauschenberg
      Gold Standard, 1964
      Rauschenberg 1964
      Gold Standard, 1964
      oil, paper, printed reproductions, clock, cardboard box, metal, fabric, wood, string, shoe and Coca-Cola bottles on gold folding Japanese screen with electric light, rope, and ceramic dog on bicycle seat
      85 x 142 x 51 ¼ inches (216 x 361 x 130 cm)
      © Robert Rauschenberg Foundation/Licensed by VAGA, New York, NY
      Photo: Tim Nighswander/Imaging4Art.com
       Tim Nighswander/Imaging4Art.com
      Robert Rauschenberg https://www.glenstone.org/wp-content/uploads/2018/04/RAUSc_137_005_crop-1276x800.jpg
    • Large Flowers
      Andy Warhol
      Large Flowers, 1964
      Warhol 1964
      Large Flowers, 1964
      synthetic polymer paint and silkscreen ink on canvas
      81 ½ x 158 ½ inches (207 x 403 cm)
      © 2018 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
       Tim Nighswander/Imaging4Art.com
      Andy Warhol https://www.glenstone.org/wp-content/uploads/2018/04/WARHa_GF_LargeFlowers-1.jpg
    • Accumulation on Cabinet No. 1
      Yayoi Kusama
      Accumulation on Cabinet No. 1, 1963
      Kusama 1963
      Accumulation on Cabinet No. 1, 1963
      sewn and stuffed fabric, wooden cabinet, cups, glasses, wire mesh, decanter, tea kettle, and paint
      60 ½ x 42 ½ x 17 ¾ inches (154 x 108 x 45 cm)
      © Yayoi Kusama
      Photo: Ron Amstutz
       Ron Amstutz
      Yayoi Kusama https://www.glenstone.org/wp-content/uploads/2018/08/KUSAy_GF_Accumulation-600x800.jpg
    • WORK
      Atsuko Tanaka
      WORK, 1963
      Tanaka 1963
      WORK, 1963
      synthetic polymer paint on canvas
      57 ¼ x 44 ½ inches (145 x 113 cm)
      © Atsuko Tanaka
      Photo: Ron Amstutz
       Ron Amstutz
      Atsuko Tanaka https://www.glenstone.org/wp-content/uploads/2018/08/TANAa_GF_WORK-600x800.jpg
    • Bewegtes Feld </i> (Animated Field)
      Günther Uecker
      Bewegtes Feld (Animated Field), 1963
      Uecker 1963
      Bewegtes Feld (Animated Field), 1963
      oil, wall paint, nails, and canvas on wood board
      34 ⅜ x 34 ⅜ x 3 ⅝ inches (87 x 87 x 9 cm)
      © 2018 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
      Photo: Tim Nighswander/Imaging4Art.com
       Tim Nighswander/Imaging4Art.com
      Günther Uecker https://www.glenstone.org/wp-content/uploads/2018/07/UECKg_GF_Bewegtes-e1532003577860-766x800.jpg
    • Der Wurstesser </i> (The Sausage Eater)
      Sigmar Polke
      Der Wurstesser (The Sausage Eater), 1963
      Polke 1963
      Der Wurstesser (The Sausage Eater), 1963
      dispersion paint on canvas
      78 ¾ x 59 inches (200 x 150 cm)
      © 2018 Estate of Sigmar Polke/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn, Germany
      Photo: Ron Amstutz
       Ron Amstutz
      Sigmar Polke https://www.glenstone.org/wp-content/uploads/2018/09/POLKs_GF_SausageEater-617x800.jpg
    • Southern Elegy
      Anne Truitt
      Southern Elegy, 1962
      Truitt 1962
      Southern Elegy, 1962
      acrylic on wood
      47 x 20 ⅞ x 6 ⅞ inches (119 x 53 x 17 cm)
      © annetruitt.org, courtesy Matthew Marks Gallery
      Photo: Ron Amstutz
       Ron Amstutz
      Anne Truitt https://www.glenstone.org/wp-content/uploads/2018/09/TRUIa_SouthernElegy_crop-970x800.jpg
    • Run IV
      Sol LeWitt
      Run IV, 1962
      LeWitt 1962
      Run IV, 1962
      oil on canvas and painted wood
      63 ½ x 63 ½ x 3 ½ inches (161 x 161 x 9 cm)
      © 2018 The LeWitt Estate / Artists Rights Society (ARS), New York
      Photo: Ron Amstutz
       Ron Amstutz
      Sol LeWitt https://www.glenstone.org/wp-content/uploads/2018/09/LEWIs_GF_Run-1-742x800.jpg
    • Sakuhin </i> (Work)
      Sadamasa Motonaga
      Sakuhin (Work), 1962
      Motonaga 1962
      Sakuhin (Work), 1962
      oil on canvas
      72 ¼ x 54 ⅛ inches (184 x 137 cm)
      © Motonaga Archive Research Institution Ltd.
      Photo: Ron Amstutz
       Ron Amstutz
      Sadamasa Motonaga https://www.glenstone.org/wp-content/uploads/2018/09/MONTs_GF_Sakuhin-600x800.jpg
    • Untitled
      Lee Bontecou
      Untitled, 1962
      Bontecou 1962
      Untitled, 1962
      welded steel, canvas, wire, and soot
      63 ½ x 111 x 20 inches (161 x 282 x 51 cm)
      © Lee Bontecou
      Photo: Ron Amstutz
       Ron Amstutz
      Lee Bontecou https://www.glenstone.org/wp-content/uploads/2018/08/BONTl_GF_Untitled.jpg An abstracted form made from canvas, welded metal, and wire sits in relief off a white wall - three deeply black voids dominate the composition.
    • Home Sweet Home II
      Arman
      Home Sweet Home II, 1960
      Arman 1960
      Home Sweet Home II, 1960
      gas masks in wooden box
      51 ¼ x 59 x 10 ⅜ inches (130 x 150 x 27 cm)
      © 2018 Artists Rights Society (ARS), New York / ADAGP, Paris
      Photo: Ron Amstutz
       Ron Amstutz
      Arman https://www.glenstone.org/wp-content/uploads/2018/08/ARMA_GF_HomeSweetHome.jpg A black box fronted with plexiglass is full of World War I-era gas masks. Their long, black hoses hang down in tangles. The box rests on a small white shelf.
    • Relevo espacial (amarelo) </i> (Spatial relief [yellow])
      Hélio Oiticica
      Relevo espacial (amarelo) (Spatial relief [yellow]), 1960
      Oiticica 1960
      Relevo espacial (amarelo) (Spatial relief [yellow]), 1960
      oil on wood
      42 ⅞ x 47 ½ x 2 ⅜ inches (109 x 121 x 6 cm)
      © Projeto Hélio Oiticica, Rio de Janeiro, Courtesy Projeto Hélio Oiticica, Rio de Janeiro and Galerie Lelong & Co., New York
      Photo: Ron Amstutz
       Ron Amstutz
      Hélio Oiticica https://www.glenstone.org/wp-content/uploads/2018/08/OITIh_GF_RelevoEspacial.jpg
    • Untitled Blue Sponge Relief (RE 21)
      Yves Klein
      Untitled Blue Sponge Relief (RE 21), 1960
      Klein 1960
      Untitled Blue Sponge Relief (RE 21), 1960
      pigment, natural sponges, and pebbles on board
      78 ¼ x 64 ¾ inches (199 x 165 cm)
      © Yves Klein c/o Artists Rights Society (ARS), New York / ADAGP, Paris 2018
      Photo: Ron Amstutz
       Ron Amstutz
      Yves Klein https://www.glenstone.org/wp-content/uploads/2018/09/RE_021_Web_2018-676x800.jpg
    • Espaço modulado 3A </i> (Modulated space 3A)
      Lygia Clark
      Espaço modulado 3A (Modulated space 3A), 1959
      Clark 1959
      Espaço modulado 3A (Modulated space 3A), 1959
      industrial paint on wood
      23 9/16 x 23 9/16 inches (60 x 60 cm)
      © Lygia Clark
      Photo: Ron Amstutz
       Ron Amstutz
      Lygia Clark https://www.glenstone.org/wp-content/uploads/2018/09/CLARl_GF_Espacio-828x800.jpg A dark gray square composition with two slash lines of white form an abstract zag.
    • Work
      Akira Kanayama
      Work, 1959
      Kanayama 1959
      Work, 1959
      synthetic paint on canvas
      56 ¼ x 42 ¾ x 1 ¼ inches (143 x 109 x 3 cm)
      © Akira Kanayama
      Photo: Ron Amstutz
       Ron Amstutz
      Akira Kanayama https://www.glenstone.org/wp-content/uploads/2018/08/KANAa_GF_Work.jpg
    • Bethlehem’s Hospital
      Frank Stella
      Bethlehem’s Hospital, 1959
      Stella 1959
      Bethlehem’s Hospital, 1959
      enamel on canvas
      85 ½ x 133 ⅞ inches (217 x 340 cm)
      © 2018 Frank Stella / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
       Tim Nighswander/Imaging4Art.com
      Frank Stella https://www.glenstone.org/wp-content/uploads/2018/04/STELf_160_002_crop-1248x800.jpg
    • Untitled
      Kazuo Shiraga
      Untitled, 1958
      Shiraga 1958
      Untitled, 1958
      oil on canvas
      72 x 107 x 3 ½ inches (183 x 272 x 9 cm)
      © Kazuo Shiraga
      Photo: Ron Amstutz
       Ron Amstutz
      Kazuo Shiraga https://www.glenstone.org/wp-content/uploads/2018/08/SHIRk_GF_Untitled.jpg
    • Flag on an Orange Field II
      Jasper Johns
      Flag on an Orange Field II, 1958
      Johns 1958
      Flag on an Orange Field II, 1958
      encaustic on canvas
      54 ¼ x 36 ¼ inches (138 x 92 cm)
      © Jasper Johns/Licensed by VAGA, New York, NY
      Photo: Tim Nighswander/Imaging4Art.com
       Tim Nighswander/Imaging4Art.com
      Jasper Johns https://www.glenstone.org/wp-content/uploads/2018/04/JOHNj_199_001_crop-533x800.jpg
    • No. 9 (White and Black on Wine)
      Mark Rothko
      No. 9 (White and Black on Wine), 1958
      Rothko 1958
      No. 9 (White and Black on Wine), 1958
      oil on canvas
      105 x 168 ¾ inches (267 x 429 cm)
      © 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
      Photo: Tim NighswanderImaging4Art.com
       Tim NighswanderImaging4Art.com
      Mark Rothko https://www.glenstone.org/wp-content/uploads/2018/04/ROTHm_138_002_crop-1276x791.jpg
    • Untitled
      Franz Kline
      Untitled, 1957
      Kline 1957
      Untitled, 1957
      oil on canvas
      78 ⅞ x 103 ⅛ inches (200 x 262 cm)
      © 2018 The Franz Kline Estate / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
       Tim Nighswander/Imaging4Art.com
      Franz Kline https://www.glenstone.org/wp-content/uploads/2018/04/KLINf_GF_Untitled.jpg
    • Sakuhin (56-12) </i> (Work [56-12])
      Tōshio Yoshida
      Sakuhin (56-12) (Work [56-12]), 1956
      Yoshida 1956
      Sakuhin (56-12) (Work [56-12]), 1956
      oil on board
      35 ⅞ x 35 ⅞ inches (91 x 91 cm)
      © The Estate of Toshio Yoshida
      Tōshio Yoshida https://www.glenstone.org/wp-content/uploads/2018/08/YOSH_GF_Sakuhin.jpg
    • Untitled </i> (S.693, Hanging Six-Lobed, Two-Part, Complex Form within a Form with One Suspended Sphere in the Top Lobe)
      Ruth Asawa
      Untitled (S.693, Hanging Six-Lobed, Two-Part, Complex Form within a Form with One Suspended Sphere in the Top Lobe), c. 1956
      Asawa 1956
      Untitled (S.693, Hanging Six-Lobed, Two-Part, Complex Form within a Form with One Suspended Sphere in the Top Lobe), c. 1956
      brass and iron wire
      72 ¼ x 15 x 15 inches (184 x 38 x 38 cm)
      © Estate of Ruth Asawa
      Photo: Dan Bradica
       Dan Bradica
      Ruth Asawa https://www.glenstone.org/wp-content/uploads/2018/07/ASAWr_GF_003.jpg Rounded organic interlocking forms arranged vertically made from looping gold colored wire hang from the ceiling.
    • January 1st
      Willem de Kooning
      January 1st, 1956
      de Kooning 1956
      January 1st, 1956
      oil on canvas
      78 ¼ x 69 inches (199 x 175 cm)
      © 2018 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
       Tim Nighswander/Imaging4Art.com
      Willem de Kooning https://www.glenstone.org/wp-content/uploads/2018/04/DEKOw_24_002_crop-708x800.jpg In this painting, loose and expressive brushwork of various colors overlaps and muddies the tones. Lines of blue, yellow, teal, black, and red mix with fields of beige and pink.
    • Grande Méta-Mecanique No. 1 </i> (Grand Meta-Mechanics No. 1)
      Jean Tinguely
      Grande Méta-Mecanique No. 1 (Grand Meta-Mechanics No. 1), 1955
      Tinguely 1955
      Grande Méta-Mecanique No. 1 (Grand Meta-Mechanics No. 1), 1955
      iron tripod, metal, electric motor, and hand-crank
      98 ⅞ x 51 ⅝ x 42 ½ inches (251 x 131 x 108 cm)
      © 2018 Artists Rights Society (ARS), New York / ADAGP, Paris
      Photo: Ron Amstutz
       Ron Amstutz
      Jean Tinguely https://www.glenstone.org/wp-content/uploads/2018/08/TINGj_GF_GrandeMetaMecanique-600x800.jpg
    • Untitled (White)
      Shozo Shimamoto
      Untitled (White), 1955
      Shimamoto 1955
      Untitled (White), 1955
      paint, newspaper, and wood
      23 ¾ x 23 ¾ x 1 ½ inches (60 x 60 x 4 cm)
      © Shozo Shimamoto
      Photo: Ron Amstutz
       Ron Amstutz
      Shozo Shimamoto https://www.glenstone.org/wp-content/uploads/2018/08/SHIMs_GF_UntitledWhite-600x800.jpg
    • Untitled </i> (S.335, Hanging Four-and-a-Half Open Hyperbolic Shapes That Penetrate Each Other)
      Ruth Asawa
      Untitled (S.335, Hanging Four-and-a-Half Open Hyperbolic Shapes That Penetrate Each Other), 1954
      Asawa 1954
      Untitled (S.335, Hanging Four-and-a-Half Open Hyperbolic Shapes That Penetrate Each Other), 1954
      iron wire and paint
      95 ½ in x 20 in x 20 in (243 x 51 x 51 cm)
      © Estate of Ruth Asawa
      Photo: Dan Bradica
       Dan Bradica
      Ruth Asawa https://www.glenstone.org/wp-content/uploads/2018/07/ASAWr_GF_001.jpg Fluted wire forms intersect four different times along a hanging vertical sculpture.
    • Number 1
      Jackson Pollock
      Number 1, 1952
      Pollock 1952
      Number 1, 1952
      oil and enamel on canvas
      23 ⅞ x 107 inches (61 x 272 cm)
      © 2018 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York
      Jackson Pollock https://www.glenstone.org/wp-content/uploads/2018/04/POLLj_124_002_crop-1276x285.jpg
    • Untitled </i> (S.531, Hanging Six-Lobed, Two Continuous Interlocking Forms)
      Ruth Asawa
      Untitled (S.531, Hanging Six-Lobed, Two Continuous Interlocking Forms), c. 1950
      Asawa 1950
      Untitled (S.531, Hanging Six-Lobed, Two Continuous Interlocking Forms), c. 1950
      iron wire
      82 x 20 x 20 inches (208 x 51 x 51 cm)
      © Estate of Ruth Asawa
      Photo: Dan Bradica
       Dan Bradica
      Ruth Asawa https://www.glenstone.org/wp-content/uploads/2018/07/ASAWr_GF_002.jpg Organic and curvy interlocking vertical forms made from woven rusty colored wire hang from the ceiling.
    • 1949-A, No. 2
      Clyfford Still
      1949-A, No. 2, 1949
      Still 1949
      1949-A, No. 2, 1949
      oil on canvas
      80 x 68 ½ inches (203 x 174 cm)
      © 2018 City & County of Denver, courtesy Clyfford Still Museum / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
       Tim Nighswander/Imaging4Art.com
      Clyfford Still https://www.glenstone.org/wp-content/uploads/2018/04/STILc_161_002_crop-e1532006777853-685x800.jpg
    • L’Homme au doigt </i> (Man Pointing)
      Alberto Giacometti
      L’Homme au doigt (Man Pointing), 1947
      Giacometti 1947
      L’Homme au doigt (Man Pointing), 1947
      bronze
      70 ½ x 34 ½ x 20 inches (179 x 88 x 51 cm)
      © Alberto Giacometti Estate/Licensed by VAGA and ARS, New York, NY
      Photo: Ron Amstutz
       Ron Amstutz
      Alberto Giacometti https://www.glenstone.org/wp-content/uploads/2018/04/GIACa_GF_ManPointing-600x800.jpg
    • Baby Flat Top
      Alexander Calder
      Baby Flat Top, 1946
      Calder 1946
      Baby Flat Top, 1946
      painted sheet metal and wire
      47 ½ x 76 x 48 inches (121 x 193 x 122 cm)
      © 2018 Calder Foundation, New York / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
       Tim Nighswander/Imaging4Art.com
      Alexander Calder https://www.glenstone.org/wp-content/uploads/2018/07/CALDa_GF_BabyFlat-1276x735.jpg Hanging from a tripedal floor stand, a large horizontal oval-shape have several delicate wire off-shoots, perfectly balanced.
    • Drawing
      Arshile Gorky
      Drawing, 1943
      Gorky 1943
      Drawing, 1943
      graphite and wax crayon on paper
      22 ⅞ x 29 inches (58 x 74 cm)
      © 2018 The Arshile Gorky Foundation / Artists Rights Society (ARS), New York
      Photo: Tim Nighswander/Imaging4Art.com
       Tim Nighswander/Imaging4Art.com
      Arshile Gorky https://www.glenstone.org/wp-content/uploads/2018/04/GORKa_38_001_crop.jpg

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