Room 2 Installation
October 2018—August 2021
As part of the Pavilions’ inaugural installation, Room 2 features 65 works by 53 artists dating from 1943 to 1989. Organized both geographically and chronologically, the installation highlights major moments in the history of post-war art, including avant-garde movements that flourished in 1950s New York, 1960s Japan, 1970s Brazil, and 1980s Germany. Juxtaposing iconic artists with lesser-known contemporaries, this installation showcases the depth and breadth of the Glenstone collection.
Artists
- Arman
- Ruth Asawa
- Jo Baer
- Jean-Michel Basquiat
- Lynda Benglis
- Joseph Beuys
- Alighiero e Boetti
- Lee Bontecou
- Marcel Broodthaers
- Alexander Calder
- Sergio Camargo
- Lygia Clark
- Willem de Kooning
- Marcel Duchamp
- Dan Flavin
- Alberto Giacometti
- Arshile Gorky
- David Hammons
- Keith Haring
- Eva Hesse
- Jasper Johns
- Akira Kanayama
- Martin Kippenberger
- Yves Klein
- Franz Kline
- Barbara Kruger
- Yayoi Kusama
- Sol LeWitt
- Agnes Martin
- Marisa Merz
- Sadamasa Motonaga
- Bruce Nauman
- Gladys Nilsson
- Hélio Oiticica
- Sigmar Polke
- Jackson Pollock
- Robert Rauschenberg
- Dieter Roth
- Mark Rothko
- Alan Saret
- Mira Schendel
- Richard Serra
- Shozo Shimamoto
- Kazuo Shiraga
- Frank Stella
- Clyfford Still
- Atsuko Tanaka
- Jean Tinguely
- Rosemarie Trockel
- Anne Truitt
- Richard Tuttle
- Günther Uecker
- Andy Warhol
- Tōshio Yoshida
Exhibition Preview
-
Martin Kippenberger
Martin, ab in die Ecke und scham dich
(Martin, Into the Corner, You should be Ashamed of Yourself), 1989
Kippenberger 1989Martin, ab in die Ecke und scham dich
(Martin, Into the Corner, You should be Ashamed of Yourself), 1989
hard foam, cast resin, latex, acrylic, metal, Styrofoam, foam rubber, clothing, and iron plate
68 ⅞ x 26 ¾ x 17 ½ inches (175 x 68 x 44 cm)
© Estate of Martin Kippenberger, Galerie Gisela Capitain, Cologne
Photo: Ron Amstutz
Ron Amstutz Martin Kippenberger https://www.glenstone.org/wp-content/uploads/2018/08/KIPPm_GF_MartinAbInDieEcke-600x800.jpg -
Keith Haring
Untitled, 10/22/1988
Haring 1988Untitled, 10/22/1988
acrylic and metallic paint on canvas
119 x 204 inches (302 x 518 cm)
© Keith Haring
Photo: Ron Amstutz
Ron Amstutz Keith Haring https://www.glenstone.org/wp-content/uploads/2018/08/HARIk_GF_Untitled_Rm2.jpg -
David Hammons
How Ya Like Me Now?, 1988
Hammons 1988How Ya Like Me Now?, 1988
tin, plywood, sledgehammers, Lucky Strike cigarette wrapper, and American flag
158 x 222 x 48 inches (401 x 564 x 122 cm) overall
© David Hammons
Photo: Ron Amstutz
Ron Amstutz David Hammons https://www.glenstone.org/wp-content/uploads/2018/04/HAMMd_GF_HowYa-1.jpg -
Rosemarie Trockel
Untitled (Made in Western Germany), 1987
Trockel 1987Untitled (Made in Western Germany), 1987
gray and black wool on stretcher
94 ⅝ x 212 ⅝ x 1 ¼ inches (240 x 540 x 3 cm) overall
© Rosemarie Trockel
Rosemarie Trockel https://www.glenstone.org/wp-content/uploads/2018/08/TROCr_GF_MadeInGermany-1276x573.jpg -
Martin Kippenberger
Ich kann beim besten Willen kein Hakenkreuz entdecken
(With the Best Will in the World, I Can’t See a Swastika), 1984
Kippenberger 1984Ich kann beim besten Willen kein Hakenkreuz entdecken
(With the Best Will in the World, I Can’t See a Swastika), 1984
oil and silicone on canvas
63 x 52 ⅜ inches (160 x 133 cm)
© Estate of Martin Kippenberger, Galerie Gisela Capitain, Cologne
Photo: Ron Amstutz
Ron Amstutz Martin Kippenberger https://www.glenstone.org/wp-content/uploads/2018/08/KIPPm_GF_IchKann-600x800.jpg -
Barbara Kruger
Untitled (We won’t play nature to your culture), 1983
Kruger 1983Untitled (We won’t play nature to your culture), 1983
photostat and red painted wood frame
73 x 49 inches (185 x 124 cm)
Photo: Ron Amstutz
Ron Amstutz Barbara Kruger https://www.glenstone.org/wp-content/uploads/2018/08/KRUGb_GF_UntitledWeWont-600x800.jpg -
Jean-Michel Basquiat
Frogmen, 1983
Basquiat 1983Frogmen, 1983
acrylic, oil stick, paper, and color copy paper on canvas with metal hinges
48 x 185 ¼ inches (122 x 471 cm)
© The Estate of Jean-Michel Basquiat / ADAGP, Paris / ARS, New York 2018
Photo: Ron Amstutz
Ron Amstutz Jean-Michel Basquiat https://www.glenstone.org/wp-content/uploads/2018/07/BASQj_GF_Frogmen.jpg A six-paneled canvas in various colors shows drawings including an octopus, various words crossed out, a cartoon cat, and xereoxed pages. -
Bruce Nauman
American Violence, 1981-1982
Nauman 1981American Violence, 1981-1982
neon tubing with clear glass-tubing suspension frame
78 x 61 ¾ x 3 ⅛ inches (198 x 157 x 8 cm)
© 2018 Bruce Nauman / Artists Rights Sodety (ARS), New York
Photo: Ron Amstutz
Ron Amstutz Bruce Nauman https://www.glenstone.org/wp-content/uploads/2018/09/NAUMb_GF_AmericanViolence-1-600x800.jpg -
Mira Schendel
Objeto gráfico (Graphic object), 1972
Schendel 1972Objeto gráfico (Graphic object), 1972
transfer type, Japanese paper, and translucent acrylic plates
37 ⅜ x 37 ⅜ x ⅜ inches (95 x 95 x 1 cm)
© 2018 Estate of Mira Schendel, Courtesy of Hauser & Wirth
Photo: Ron Amstutz
Ron Amstutz Mira Schendel https://www.glenstone.org/wp-content/uploads/2018/08/SCHEm_GF_ObjetoGrafico1972-600x800.jpg -
Alighiero e Boetti
Mappa (Map), 1971-1972
Boetti 1971Mappa (Map), 1971-1972
embroidery on linen
78 ¾ x 141 ¾ inches (200 x 360 cm)
© 2018 Artists Rights Society (ARS), New York / SIAE, Rome
Photo: Ron Amstutz
Ron Amstutz Alighiero e Boetti https://www.glenstone.org/wp-content/uploads/2018/08/BOETa_GF_Mappa.jpg A rectangular tapestry embroidered with a map of the world, each country represented by its flag. The tapestry is bordered by multicolored lettering in Arabic, Italian, and English. -
Alan Saret
Four Piece Folding Glade, 1970
Saret 1970Four Piece Folding Glade, 1970
painted wire mesh
144 x 60 x 36 inches (366 x 152 x 91 cm)
© 2018 Alan Saret
Photo: Ron Amstutz
Ron Amstutz Alan Saret https://www.glenstone.org/wp-content/uploads/2018/10/SAREa_GF_FourPiece_RA_-600x800.jpg -
Sergio Camargo
Relevo no. 259 (Relief no. 259), 1970
Camargo 1970Relevo no. 259 (Relief no. 259), 1970
oil on wood construction
31 ⅜ x 31 ⅜ x 4 ⅞ inches (80 x 80 x 12 cm)
© Sergio Camargo
Photo: Ron Amstutz
Ron Amstutz Sergio Camargo https://www.glenstone.org/wp-content/uploads/2018/08/CARMs_GF_ReliefNo259-600x800.jpg -
Lynda Benglis
WING, 1970
Benglis 1970WING, 1970
cast aluminum
67 x 59 ½ x 60 inches (170 x 151 x 152 cm)
© Lynda Benglis
Photo: Ron Amstutz
Ron Amstutz Lynda Benglis https://www.glenstone.org/wp-content/uploads/2018/08/BENGl_GF_WING-e1537467803654-605x800.jpg A metallic, flowing aluminum sculpture protrudes from the wall. -
Dieter Roth
Herd (Stove), 1969
Roth 1969Herd (Stove), 1969
metal stove and chocolate
38 ¾ x 43 ½ x 41 inches (98 x 110 x 104 cm)
© Dieter Roth
Photo: Ron Amstutz
Ron Amstutz Dieter Roth https://www.glenstone.org/wp-content/uploads/2018/08/ROTHd_GF_Herd.jpg -
Jo Baer
Untitled (Wraparound Triptych — Blue, Green, Lavender), 1969-1974
Baer 1969Untitled (Wraparound Triptych — Blue, Green, Lavender), 1969-1974
oil on canvas
48 x 52 inches (122 x 132 cm)
© Jo Baer
Jo Baer https://www.glenstone.org/wp-content/uploads/2018/07/BAERj_GF_WraparoundTriptych-1200x800.jpg Three gray paintings are hung equidistantly on a gallery wall. Each has a stripe of color outlined in black wrapping around the edge of the canvas toward the wall. -
Marcel Broodthaers
Les Portes, Musée d’Art Moderne Les Aigles—Section XIXe siècle
(The Doors, Museum of Modern Art, Eagles—Section 19th Century), 1969
Broodthaers 1969Les Portes, Musée d’Art Moderne Les Aigles—Section XIXe siècle
(The Doors, Museum of Modern Art, Eagles—Section 19th Century), 1969
vacuum-formed plastic, painted
75 9/16 x 70 1/16 inches (192 x 178 cm)
© 2018 Artists Rights Society (ARS), New York / SABAM, Brussels
Photo: Ron Amstutz
Ron Amstutz Marcel Broodthaers https://www.glenstone.org/wp-content/uploads/2018/08/BROOm_GF_LesPortes-600x800.jpg Two black-and-grey plastic panels in the shape of French doors. The left panel is labeled "Musee" above "d'art moderne" and the right says "Des Aigles" above "section XIXe sie." Parts of the text are obscured by lines and shapes. -
Eva Hesse
Sans II, 1968
Hesse 1968Sans II, 1968
fiberglass and polyester resin
38 x 86 x 6 ⅛ inches (97 x 218 x 16 cm)
© Eva Hesse
Photo: Adam Reich
Adam Reich Eva Hesse https://www.glenstone.org/wp-content/uploads/2018/09/HESSe_GF_SansII.jpg -
Alighiero e Boetti
Cubo (Cube), 1968
Boetti 1968Cubo (Cube), 1968
wood, polystyrene, steel rods, aluminum, fiberglass, cardboard, plastic, glass, rubber, wire, wool, glue, and Plexiglas
35 ⅜ x 35 ⅜ x 35 ⅞ inches (90 x 90 x 91 cm)
© 2018 Artists Rights Society (ARS), New York / SIAE, Rome
Photo: Ron Amstutz
Ron Amstutz Alighiero e Boetti https://www.glenstone.org/wp-content/uploads/2018/08/BOETa_GF_Cubo-600x800.jpg A plexiglass cube sits on a gallery floor, and it is full of wood, insulation, and various other materials. -
Gladys Nilsson
Very Worldly, 1967
Nilsson 1967Very Worldly, 1967
acrylic and collage on Plexiglas in artist's frame
51 ⅝ x 75 ⅝ x 2 ½ inches (131 x 192 x 6 cm) framed
© Courtesy the artist and Garth Greenan Gallery, New York
Photo: courtesy Matthew Marks Gallery
courtesy Matthew Marks Gallery Gladys Nilsson https://www.glenstone.org/wp-content/uploads/2021/04/NILSg_GF_VeryWorldly.jpg -
Eva Hesse
Constant, 1967
Hesse 1967Constant, 1967
acrylic, wood shavings, modeling compound, plywood, and rubber
60 x 60 x 5 inches (152 x 152 x 13 cm)
© Eva Hesse
Photo: Ron Amstutz
Ron Amstutz Eva Hesse https://www.glenstone.org/wp-content/uploads/2018/08/HESSe_GF_Constant-600x800.jpg -
Richard Serra
To Lift, 1967
Serra 1967To Lift, 1967
vulcanized rubber
36 x 80 x 60 inches (91 x 203 x 152 cm)
© 2018 Richard Serra / Artists Rights Society (ARS), New York
Photo: Ron Amstutz
Ron Amstutz Richard Serra https://www.glenstone.org/wp-content/uploads/2018/08/SERRr_GF_ToLift.jpg -
Mira Schendel
Objeto gráfico (Graphic object), 1967-1968
Schendel 1967Objeto gráfico (Graphic object), 1967-1968
graphite, rice paper, and transparent acrylic plates
38 ⅝ x 38 ⅜ x ¼ inches (98 x 97 x 1 cm)
© 2018 Estate of Mira Schendel, Courtesy of Hauser & Wirth
Photo: Ron Amstutz
Ron Amstutz Mira Schendel https://www.glenstone.org/wp-content/uploads/2018/08/SCHEm_GF_ObjetoGrafico1960-600x800.jpg -
Mira Schendel
Objeto gráfico (Graphic object), 1967-1968
Schendel 1967Objeto gráfico (Graphic object), 1967-1968
oil stick, transfer type, rice paper, and transparent acrylic plates
38 ⅝ x 38 ⅜ x ¼ inches (98 x 97 x 1 cm)
© 2018 Estate of Mira Schendel, Courtesy of Hauser & Wirth
Photo: Ron Amstutz
Ron Amstutz Mira Schendel https://www.glenstone.org/wp-content/uploads/2018/08/SCHEm_GF_ObjetoGrafico-600x800.jpg -
Richard Tuttle
Canvas Dark Blue, 1967
Tuttle 1967Canvas Dark Blue, 1967
dyed and shaped unstretched canvas
68 in x 35 ⅛ inches (173 x 90 cm)
© Richard Tuttle, courtesy Pace Gallery
Photo: Tim Nighswander/Imaging4Art.com
Tim Nighswander/Imaging4Art.com Richard Tuttle https://www.glenstone.org/wp-content/uploads/2018/06/tuttle-Canvas-Dark-Blue-670x800.jpg -
Richard Serra
White Neon Belt Piece, 1967
Serra 1967White Neon Belt Piece, 1967
vulcanized rubber, neon tubing, cable, iron clips, and transformer
75 x 15 x 17 inches (191 x 38 x 43 cm)
© 2018 Richard Serra / Artists Rights Society (ARS), New York
Photo: Ron Amstutz
Ron Amstutz Richard Serra https://www.glenstone.org/wp-content/uploads/2018/04/SERRr_GF_Belt-600x800.jpg -
Agnes Martin
Pilgrimage, 1966
Martin 1966Pilgrimage, 1966
graphite and acrylic on canvas
72 x 72 inches (183 x 183 cm)
© 2018 Agnes Martin / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
Tim Nighswander/Imaging4Art.com Agnes Martin https://www.glenstone.org/wp-content/uploads/2018/07/MARTa_GF_Pilgrimage.jpg -
Dan Flavin
a primary picture, 1964
Flavin 1964a primary picture, 1964
red, yellow and blue fluorescent light
31 x 49 x 4 inches (79 x 124 x 10 cm)
© 2018 Stephen Flavin / Artists Rights Society (ARS), New York
Photo: Ron Amstutz
Ron Amstutz Dan Flavin https://www.glenstone.org/wp-content/uploads/2018/08/FLAVd_GF_PrimaryPicture-600x800.jpg An installation of two red, two yellow and one blue florescent light forming a rectangle is mounted on to a white wall -
Marcel Duchamp
Roue de Bicyclette (Bicycle Wheel), 1964
Duchamp 1964Roue de Bicyclette (Bicycle Wheel), 1964
bicycle wheel, fork, kitchen stool, and white paint
50 ⅜ x 25 ⅝ x 12 ⅝ inches (128 x 65 x 32 cm)
© Association Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS), New York
Photo: Ron Amstutz
Ron Amstutz Marcel Duchamp https://www.glenstone.org/wp-content/uploads/2018/08/DUCHm_GF_RoueDeBicyclette-600x800.jpg One dark bicycle wheel with gray spokes attached at the bicycle fork crown to an upright, tan, wooden stool. -
Marcel Duchamp
Fountain, 1964
Duchamp 1964Fountain, 1964
glazed cast ceramic urinal with black paint
14 ⅛ x 18 ⅞ x 24 inches (36 x 48 x 61 cm)
© Association Marcel Duchamp / ADAGP, Paris / Artists Rights Society (ARS), New York
Photo: Ron Amstutz
Ron Amstutz Marcel Duchamp https://www.glenstone.org/wp-content/uploads/2018/08/DUCHm_GF_Fountain-600x800.jpg Supine white urinal signed "R Mutt 1917." -
Sigmar Polke
Schokoladenbild (Chocolate Painting), 1964
Polke 1964Schokoladenbild (Chocolate Painting), 1964
enamel on canvas
35 ¼ x 39 ¼ x 1 inches (90 x 100 x 3 cm)
© 2018 Estate of Sigmar Polke / Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn, Germany
Photo: Alex Jamison
Alex Jamison Sigmar Polke https://www.glenstone.org/wp-content/uploads/2018/06/POLKs_schokoladen_003-884x800.jpg -
Robert Rauschenberg
Gold Standard, 1964
Rauschenberg 1964Gold Standard, 1964
oil, paper, printed reproductions, clock, cardboard box, metal, fabric, wood, string, shoe and Coca-Cola bottles on gold folding Japanese screen with electric light, rope, and ceramic dog on bicycle seat
85 x 142 x 51 ¼ inches (216 x 361 x 130 cm)
© Robert Rauschenberg Foundation/Licensed by VAGA, New York, NY
Photo: Tim Nighswander/Imaging4Art.com
Tim Nighswander/Imaging4Art.com Robert Rauschenberg https://www.glenstone.org/wp-content/uploads/2018/04/RAUSc_137_005_crop-1276x800.jpg -
Andy Warhol
Large Flowers, 1964
Warhol 1964Large Flowers, 1964
synthetic polymer paint and silkscreen ink on canvas
81 ½ x 158 ½ inches (207 x 403 cm)
© 2018 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
Tim Nighswander/Imaging4Art.com Andy Warhol https://www.glenstone.org/wp-content/uploads/2018/04/WARHa_GF_LargeFlowers-1.jpg -
Yayoi Kusama
Accumulation on Cabinet No. 1, 1963
Kusama 1963Accumulation on Cabinet No. 1, 1963
sewn and stuffed fabric, wooden cabinet, cups, glasses, wire mesh, decanter, tea kettle, and paint
60 ½ x 42 ½ x 17 ¾ inches (154 x 108 x 45 cm)
© Yayoi Kusama
Photo: Ron Amstutz
Ron Amstutz Yayoi Kusama https://www.glenstone.org/wp-content/uploads/2018/08/KUSAy_GF_Accumulation-600x800.jpg -
Atsuko Tanaka
WORK, 1963
Tanaka 1963WORK, 1963
synthetic polymer paint on canvas
57 ¼ x 44 ½ inches (145 x 113 cm)
© Atsuko Tanaka
Photo: Ron Amstutz
Ron Amstutz Atsuko Tanaka https://www.glenstone.org/wp-content/uploads/2018/08/TANAa_GF_WORK-600x800.jpg -
Günther Uecker
Bewegtes Feld (Animated Field), 1963
Uecker 1963Bewegtes Feld (Animated Field), 1963
oil, wall paint, nails, and canvas on wood board
34 ⅜ x 34 ⅜ x 3 ⅝ inches (87 x 87 x 9 cm)
© 2018 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
Photo: Tim Nighswander/Imaging4Art.com
Tim Nighswander/Imaging4Art.com Günther Uecker https://www.glenstone.org/wp-content/uploads/2018/07/UECKg_GF_Bewegtes-e1532003577860-766x800.jpg -
Sigmar Polke
Der Wurstesser (The Sausage Eater), 1963
Polke 1963Der Wurstesser (The Sausage Eater), 1963
dispersion paint on canvas
78 ¾ x 59 inches (200 x 150 cm)
© 2018 Estate of Sigmar Polke/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn, Germany
Photo: Ron Amstutz
Ron Amstutz Sigmar Polke https://www.glenstone.org/wp-content/uploads/2018/09/POLKs_GF_SausageEater-617x800.jpg -
Anne Truitt
Southern Elegy, 1962
Truitt 1962Southern Elegy, 1962
acrylic on wood
47 x 20 ⅞ x 6 ⅞ inches (119 x 53 x 17 cm)
© annetruitt.org, courtesy Matthew Marks Gallery
Photo: Ron Amstutz
Ron Amstutz Anne Truitt https://www.glenstone.org/wp-content/uploads/2018/09/TRUIa_SouthernElegy_crop-970x800.jpg -
Sol LeWitt
Run IV, 1962
LeWitt 1962Run IV, 1962
oil on canvas and painted wood
63 ½ x 63 ½ x 3 ½ inches (161 x 161 x 9 cm)
© 2018 The LeWitt Estate / Artists Rights Society (ARS), New York
Photo: Ron Amstutz
Ron Amstutz Sol LeWitt https://www.glenstone.org/wp-content/uploads/2018/09/LEWIs_GF_Run-1-742x800.jpg -
Sadamasa Motonaga
Sakuhin (Work), 1962
Motonaga 1962Sakuhin (Work), 1962
oil on canvas
72 ¼ x 54 ⅛ inches (184 x 137 cm)
© Motonaga Archive Research Institution Ltd.
Photo: Ron Amstutz
Ron Amstutz Sadamasa Motonaga https://www.glenstone.org/wp-content/uploads/2018/09/MONTs_GF_Sakuhin-600x800.jpg -
Lee Bontecou
Untitled, 1962
Bontecou 1962Untitled, 1962
welded steel, canvas, wire, and soot
63 ½ x 111 x 20 inches (161 x 282 x 51 cm)
© Lee Bontecou
Photo: Ron Amstutz
Ron Amstutz Lee Bontecou https://www.glenstone.org/wp-content/uploads/2018/08/BONTl_GF_Untitled.jpg An abstracted form made from canvas, welded metal, and wire sits in relief off a white wall - three deeply black voids dominate the composition. -
Arman
Home Sweet Home II, 1960
Arman 1960Home Sweet Home II, 1960
gas masks in wooden box
51 ¼ x 59 x 10 ⅜ inches (130 x 150 x 27 cm)
© 2018 Artists Rights Society (ARS), New York / ADAGP, Paris
Photo: Ron Amstutz
Ron Amstutz Arman https://www.glenstone.org/wp-content/uploads/2018/08/ARMA_GF_HomeSweetHome.jpg A black box fronted with plexiglass is full of World War I-era gas masks. Their long, black hoses hang down in tangles. The box rests on a small white shelf. -
Hélio Oiticica
Relevo espacial (amarelo) (Spatial relief [yellow]), 1960
Oiticica 1960Relevo espacial (amarelo) (Spatial relief [yellow]), 1960
oil on wood
42 ⅞ x 47 ½ x 2 ⅜ inches (109 x 121 x 6 cm)
© Projeto Hélio Oiticica, Rio de Janeiro, Courtesy Projeto Hélio Oiticica, Rio de Janeiro and Galerie Lelong & Co., New York
Photo: Ron Amstutz
Ron Amstutz Hélio Oiticica https://www.glenstone.org/wp-content/uploads/2018/08/OITIh_GF_RelevoEspacial.jpg -
Yves Klein
Untitled Blue Sponge Relief (RE 21), 1960
Klein 1960Untitled Blue Sponge Relief (RE 21), 1960
pigment, natural sponges, and pebbles on board
78 ¼ x 64 ¾ inches (199 x 165 cm)
© Yves Klein c/o Artists Rights Society (ARS), New York / ADAGP, Paris 2018
Photo: Ron Amstutz
Ron Amstutz Yves Klein https://www.glenstone.org/wp-content/uploads/2018/09/RE_021_Web_2018-676x800.jpg -
Lygia Clark
Espaço modulado 3A (Modulated space 3A), 1959
Clark 1959Espaço modulado 3A (Modulated space 3A), 1959
industrial paint on wood
23 9/16 x 23 9/16 inches (60 x 60 cm)
© Lygia Clark
Photo: Ron Amstutz
Ron Amstutz Lygia Clark https://www.glenstone.org/wp-content/uploads/2018/09/CLARl_GF_Espacio-828x800.jpg A dark gray square composition with two slash lines of white form an abstract zag. -
Akira Kanayama
Work, 1959
Kanayama 1959Work, 1959
synthetic paint on canvas
56 ¼ x 42 ¾ x 1 ¼ inches (143 x 109 x 3 cm)
© Akira Kanayama
Photo: Ron Amstutz
Ron Amstutz Akira Kanayama https://www.glenstone.org/wp-content/uploads/2018/08/KANAa_GF_Work.jpg -
Frank Stella
Bethlehem’s Hospital, 1959
Stella 1959Bethlehem’s Hospital, 1959
enamel on canvas
85 ½ x 133 ⅞ inches (217 x 340 cm)
© 2018 Frank Stella / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
Tim Nighswander/Imaging4Art.com Frank Stella https://www.glenstone.org/wp-content/uploads/2018/04/STELf_160_002_crop-1248x800.jpg -
Kazuo Shiraga
Untitled, 1958
Shiraga 1958Untitled, 1958
oil on canvas
72 x 107 x 3 ½ inches (183 x 272 x 9 cm)
© Kazuo Shiraga
Photo: Ron Amstutz
Ron Amstutz Kazuo Shiraga https://www.glenstone.org/wp-content/uploads/2018/08/SHIRk_GF_Untitled.jpg -
Jasper Johns
Flag on an Orange Field II, 1958
Johns 1958Flag on an Orange Field II, 1958
encaustic on canvas
54 ¼ x 36 ¼ inches (138 x 92 cm)
© Jasper Johns/Licensed by VAGA, New York, NY
Photo: Tim Nighswander/Imaging4Art.com
Tim Nighswander/Imaging4Art.com Jasper Johns https://www.glenstone.org/wp-content/uploads/2018/04/JOHNj_199_001_crop-533x800.jpg -
Mark Rothko
No. 9 (White and Black on Wine), 1958
Rothko 1958No. 9 (White and Black on Wine), 1958
oil on canvas
105 x 168 ¾ inches (267 x 429 cm)
© 1998 Kate Rothko Prizel & Christopher Rothko / Artists Rights Society (ARS), New York
Photo: Tim NighswanderImaging4Art.com
Tim NighswanderImaging4Art.com Mark Rothko https://www.glenstone.org/wp-content/uploads/2018/04/ROTHm_138_002_crop-1276x791.jpg -
Franz Kline
Untitled, 1957
Kline 1957Untitled, 1957
oil on canvas
78 ⅞ x 103 ⅛ inches (200 x 262 cm)
© 2018 The Franz Kline Estate / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
Tim Nighswander/Imaging4Art.com Franz Kline https://www.glenstone.org/wp-content/uploads/2018/04/KLINf_GF_Untitled.jpg -
Tōshio Yoshida
Sakuhin (56-12) (Work [56-12]), 1956
Yoshida 1956Sakuhin (56-12) (Work [56-12]), 1956
oil on board
35 ⅞ x 35 ⅞ inches (91 x 91 cm)
© The Estate of Toshio Yoshida
Tōshio Yoshida https://www.glenstone.org/wp-content/uploads/2018/08/YOSH_GF_Sakuhin.jpg -
Ruth Asawa
Untitled (S.693, Hanging Six-Lobed, Two-Part, Complex Form within a Form with One Suspended Sphere in the Top Lobe), c. 1956
Asawa 1956Untitled (S.693, Hanging Six-Lobed, Two-Part, Complex Form within a Form with One Suspended Sphere in the Top Lobe), c. 1956
brass and iron wire
72 ¼ x 15 x 15 inches (184 x 38 x 38 cm)
© Estate of Ruth Asawa
Photo: Dan Bradica
Dan Bradica Ruth Asawa https://www.glenstone.org/wp-content/uploads/2018/07/ASAWr_GF_003.jpg Rounded organic interlocking forms arranged vertically made from looping gold colored wire hang from the ceiling. -
Willem de Kooning
January 1st, 1956
de Kooning 1956January 1st, 1956
oil on canvas
78 ¼ x 69 inches (199 x 175 cm)
© 2018 The Willem de Kooning Foundation / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
Tim Nighswander/Imaging4Art.com Willem de Kooning https://www.glenstone.org/wp-content/uploads/2018/04/DEKOw_24_002_crop-708x800.jpg In this painting, loose and expressive brushwork of various colors overlaps and muddies the tones. Lines of blue, yellow, teal, black, and red mix with fields of beige and pink. -
Jean Tinguely
Grande Méta-Mecanique No. 1 (Grand Meta-Mechanics No. 1), 1955
Tinguely 1955Grande Méta-Mecanique No. 1 (Grand Meta-Mechanics No. 1), 1955
iron tripod, metal, electric motor, and hand-crank
98 ⅞ x 51 ⅝ x 42 ½ inches (251 x 131 x 108 cm)
© 2018 Artists Rights Society (ARS), New York / ADAGP, Paris
Photo: Ron Amstutz
Ron Amstutz Jean Tinguely https://www.glenstone.org/wp-content/uploads/2018/08/TINGj_GF_GrandeMetaMecanique-600x800.jpg -
Shozo Shimamoto
Untitled (White), 1955
Shimamoto 1955Untitled (White), 1955
paint, newspaper, and wood
23 ¾ x 23 ¾ x 1 ½ inches (60 x 60 x 4 cm)
© Shozo Shimamoto
Photo: Ron Amstutz
Ron Amstutz Shozo Shimamoto https://www.glenstone.org/wp-content/uploads/2018/08/SHIMs_GF_UntitledWhite-600x800.jpg -
Ruth Asawa
Untitled (S.335, Hanging Four-and-a-Half Open Hyperbolic Shapes That Penetrate Each Other), 1954
Asawa 1954Untitled (S.335, Hanging Four-and-a-Half Open Hyperbolic Shapes That Penetrate Each Other), 1954
iron wire and paint
95 ½ in x 20 in x 20 in (243 x 51 x 51 cm)
© Estate of Ruth Asawa
Photo: Dan Bradica
Dan Bradica Ruth Asawa https://www.glenstone.org/wp-content/uploads/2018/07/ASAWr_GF_001.jpg Fluted wire forms intersect four different times along a hanging vertical sculpture. -
Jackson Pollock
Number 1, 1952
Pollock 1952Number 1, 1952
oil and enamel on canvas
23 ⅞ x 107 inches (61 x 272 cm)
© 2018 The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York
Jackson Pollock https://www.glenstone.org/wp-content/uploads/2018/04/POLLj_124_002_crop-1276x285.jpg -
Ruth Asawa
Untitled (S.531, Hanging Six-Lobed, Two Continuous Interlocking Forms), c. 1950
Asawa 1950Untitled (S.531, Hanging Six-Lobed, Two Continuous Interlocking Forms), c. 1950
iron wire
82 x 20 x 20 inches (208 x 51 x 51 cm)
© Estate of Ruth Asawa
Photo: Dan Bradica
Dan Bradica Ruth Asawa https://www.glenstone.org/wp-content/uploads/2018/07/ASAWr_GF_002.jpg Organic and curvy interlocking vertical forms made from woven rusty colored wire hang from the ceiling. -
Clyfford Still
1949-A, No. 2, 1949
Still 19491949-A, No. 2, 1949
oil on canvas
80 x 68 ½ inches (203 x 174 cm)
© 2018 City & County of Denver, courtesy Clyfford Still Museum / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
Tim Nighswander/Imaging4Art.com Clyfford Still https://www.glenstone.org/wp-content/uploads/2018/04/STILc_161_002_crop-e1532006777853-685x800.jpg -
Alberto Giacometti
L’Homme au doigt (Man Pointing), 1947
Giacometti 1947L’Homme au doigt (Man Pointing), 1947
bronze
70 ½ x 34 ½ x 20 inches (179 x 88 x 51 cm)
© Alberto Giacometti Estate/Licensed by VAGA and ARS, New York, NY
Photo: Ron Amstutz
Ron Amstutz Alberto Giacometti https://www.glenstone.org/wp-content/uploads/2018/04/GIACa_GF_ManPointing-600x800.jpg -
Alexander Calder
Baby Flat Top, 1946
Calder 1946Baby Flat Top, 1946
painted sheet metal and wire
47 ½ x 76 x 48 inches (121 x 193 x 122 cm)
© 2018 Calder Foundation, New York / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
Tim Nighswander/Imaging4Art.com Alexander Calder https://www.glenstone.org/wp-content/uploads/2018/07/CALDa_GF_BabyFlat-1276x735.jpg Hanging from a tripedal floor stand, a large horizontal oval-shape have several delicate wire off-shoots, perfectly balanced. -
Arshile Gorky
Drawing, 1943
Gorky 1943Drawing, 1943
graphite and wax crayon on paper
22 ⅞ x 29 inches (58 x 74 cm)
© 2018 The Arshile Gorky Foundation / Artists Rights Society (ARS), New York
Photo: Tim Nighswander/Imaging4Art.com
Tim Nighswander/Imaging4Art.com Arshile Gorky https://www.glenstone.org/wp-content/uploads/2018/04/GORKa_38_001_crop.jpg